Three plays by David Mamet: The Woods, Lakeboat, and Edmond. The Woods, described by the Chicago Daily News as a 'beautifully conceived love story; Lakeboat, eight crew members aboard a merchant ship exchange their wild fantasies about sex, gambling, and violence; Edmond, a man set morally adrift leaves an unfulfilling marriage to find sex, adventure, companionship, and, ultimately, the meaning of his existence.
David Alan Mamet is an American author, essayist, playwright, screenwriter and film director. His works are known for their clever, terse, sometimes vulgar dialogue and arcane stylized phrasing, as well as for his exploration of masculinity.
As a playwright, he received Tony nominations for Glengarry Glen Ross (1984) and Speed-the-Plow (1988). As a screenwriter, he received Oscar nominations for The Verdict (1982) and Wag the Dog (1997).
Mamet's recent books include The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary, with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; and Bambi vs. Godzilla, an acerbic commentary on the movie business.
"Edmond"'s the best of the bunch - a bilious, id-driven scream possessed of a fearlessness that goes increasingly unseen in today's popular entertainment. The others are decent if oblique - Mamet's correlations often feel random and showy, as do his characters' tendencies to backtrack in the conversation. The lack of stage direction also takes some getting used to. Three stars if you take the route of reading the dialog aloud.
Edmond is the best play here. The atmosphere, which pulls the reader's attention taut with the lascivious and venal makings of the city's underbelly, is really quite a journey. From the auspicious opening which begs the question, "If were not meant for our existence, where do we truly belong?"
The Woods- 3.5 I really liked how fast the dialogue moves on this but it was a little stagnant. Lakeboat-3 Least fav of the bunch, hard to understand what characters purposes are, what was the theme we were supposed to take away? Edmond-3.5 This is trying something for sure, I think the ending really ties this up nice for me, seeing his constant struggle for money was very enlightening and also seeing him radicalizing himself is fun.
Read this solely for Edmond and ended up really digging all three plays. Nobody talks about the Lakeboat, but it’s another stellar study in masculinity from Mamet.