Whether Hicok is considering the reflection of human faces in the Vietnam War Memorial or the elements of a “Modern Prototype” factory, he prompts an icy realization that we may have never seen the world as it truly is. But his resilient voice and consistent perspective is neither blaming nor didactic, and ultimately enlightening. From the shadowed corners into which we dare not look clearly, Hicok makes us witness and hero of The Legend of Light .
Bob Hicok was born in 1960. His most recent collection, This Clumsy Living (University of Pittsburgh Press, 2007), was awarded the 2008 Bobbitt Prize from the Library of Congress. His other books are Insomnia Diary (Pitt, 2004), Animal Soul (Invisible Cities Press, 2001),a finalist for the National Book Critics Circle Award, Plus Shipping (BOA, 1998), and The Legend of Light (University of Wisconsin, 1995), which received the Felix Pollak Prize in Poetry and was named a 1997 ALA Booklist Notable Book of the Year. A recipient of three Pushcart Prizes, Guggenheim and two NEA Fellowships, his poetry has been selected for inclusion in five volumes of Best American Poetry.
Hicok writes poems that value speech and storytelling, that revel in the material offered by pop culture, and that deny categories such as "academic" or "narrative." As Elizabeth Gaffney wrote for the New York Times Book Review: "Each of Mr. Hicok's poems is marked by the exalted moderation of his voice—erudition without pretension, wisdom without pontification, honesty devoid of confessional melodrama. . . . His judicious eye imbues even the dreadful with beauty and meaning."
Hicok has worked as an automotive die designer and a computer system administrator, and is currently an Associate Professor of English at Virginia Tech in Blacksburg.
4/5 i didn’t like this collection as much as I did the others i read by him, but there were definitely some gems in it. not rlly sure what else to say. the entirety of “The Dead” blew me away but i just quoted a few lines. same with “AIDS.”
some lines & quotes i loved:
“Masked, they cut you, peel back your skin for the legend of light to enter your body. In this moment they love you. You’ll know this years from now, when being a rug you feel their hands inside you, a shock of warmth, invasion of concern as if you were back on the table but aware and aware of the fear dilating their eyes. How else can it be for the strangers who take your breath, contain it in a machine and give it back, Its meter undisturbed? They cut to flaw, down to a blue tumor the size of an old e. As they do they think of time, how little it takes for the riotously dividing cells to reach blood, to enter the cosmos of a body and travel to another organ, another world, advancing cancer’s parasitical flowering. Finally they try to erase any sign they were there, stitch and staple where they’ve cut. If done well it’s like walking backward across a newly mopped floor. There are only a few clues, in this case a scar and the fact on any trivial day you’re still alive.”
— Surgery
“If you could embrace or hover about the dead, a lover licking their fingers or judge with a rat’s black eyes, you’d have your moments of tenderness and retribution the chance to rub a friend’s canceled chest, to stand before the father who beat you with the leg of a chair and pain his eternity with your unexpected forgiveness, to smell your child’s skin as it was in sunlight or dance with your wife again to the Dipper Mouth Bues, to stare into the labyrinth of their eyes until the visitation ends and you’re left alone with the moon, which you’ve also taken for granted
They’ll never come, though this won’t keep you from calling their names when there’s music in the elms and you’re snapped awake by the dream that’s trying to kill you.”
— The Dead
“I don’t know if it’s a miracle or sin that I can place my teeth in a glass of water at night, and wonder if this stranger’s heart sewn into my chest isn’t lonely and slowly dying of grief, if it will simply stop and leave me waving my arms in the air. I didn’t expect any of this, the moments when I forget a city, a person, and the days, made up of such moments, perhaps soon the years, but I’m grateful for the terror of these surprises given how it might have turned out, given that I expect the alternative to be nothing at all.
— 85
“And when my mother kisses me I cried in the way we sometimes do— no tears, a burning force behind the face, pain turned upon itself, a kind of emotional cannibalism—“
“I wanted to assure them I’d been loved that there’d been someone whose hand I’d held whose weaknesses I’d never betrayed. How is it that people exist so far apart that we stand a hand away yet look upon each other as ghosts, as dust we love yet cannot see or reach. We looked at the stars come out, in bunches, in leaps and swirls, and I could say nothing, could move no nearer, no farther away. I left the next morning, afraid if I stayed they’d cry, cry and shatter to look at me, because I know thy feel it’s somehow their fault, that even this they should have been able to protect me from. If only I could convince them could say something which might work its way into their sleep their hearts, and soothe, and solace. But all I can think of is that you love as you have to and die the best you can.”
— AIDS
“I fell asleep in the rain. Its too many kisses washed my face away. I thought it a dream, but woke with little to offer mirrors. Now the sky is clear. However the forecast is for rain. These are my shoes, this is my shirt, this a list of my sins, my little pleasures. Remember them. Soon they’ll be what’s left of me.”
Hicok is a master at balancing humor with raw, sometimes violent emotions. His poems are surreal, almost stream of consciousness - at times, it feels like you’re walking through his mind to better understand how he associates memories with truth. What a great premiere collection.
Through poems written like vignettes Hicok takes you along a journey of the darker sides of ourselves. His deftness with each poem makes them a captivating read. Enjoy.
After hearing Hicok read at AWP in Chicago, I wanted more. Deliberately complicated masculinity and wry humor. Tenderness. This book, his first I believe, has wonderful moments. However, I have to confess, I’m hoping that he improves as he continues to write (his other books are waiting on my shelf).
I don't have any patience for a poem that is trying to be a philosophical treatise. Hicok never makes this mistake: he is fundamentally a story-teller. He lives in the world, with other people, not with other writers. It is a place that is urgent and vibrant.
I loved this book. The poems generally are about everyday life, and Hicok finds magical ways to transcend the ordinary, often with devastating affect. Highly recommended.