If you love amateur dramatics, you're in luck.
I'm now halfway through this series and this book is my least favorite so far. I can think of many ways to drive yourself to the point of suicide, but none is less appealing than amateur theatrics. Why are so many untalented people so eager to embarrass themselves in front of an audience of their friends? Keeping in mind that those unlucky friends must try to think of something complimentary that they can say with a straight face.
And why do amateur groups always insist on a musical? If they can't act, what are the chances they can sing or dance, much less all three? And is there anything to be said for Gilbert and Sullivan's moldy old operettas other than that they're long out of copyright and there's no fee to perform them?
So while it's pleasant to learn that Sarah Kelling Bittersohn has at least one relative (Aunt Emma Kelling) who isn't a stinker, I agree with Cousin Mabel (the biggest stinker of them all) that it sounds like a boring evening. Still, the Kelling clan and all their friends will turn out and money will be raised for a very worthy charity.
Sarah is staying with Aunt Emma while her husband Max is in Europe tracking down a stolen Picasso. Naturally, she comes in for all the jobs no one else wants - painting scenery, arranging flower decorations, making up the actors, and filling in for anyone who doesn't show up.
There are the usual problems and some tragic ones. A long-time admirer of the widowed Aunt Emma has agreed to take a major part, but he's found dead after falling in his bathroom during a nightly trip to relieve himself. Then the young woman who's volunteered for another big role is mugged on the way to the performance. Replacements must be found and that's not easy on short notice.
Worse, a friend of the late Charlie Daventer is convinced that his death wasn't an accident, but a murder. He convinces Sarah, but Emma insists that the police can't start investigating until after the show. Murder or no murder, the show must go on.
Another strange incident is the disappearance of a valuable portrait of a family ancestress, one Ernestina Kelling. No one wants to inherit the ugly thing, but it was painted by Romney and it's worth a bundle. Again, Emma insists that the disappearance be kept secret until after the show. This is going to be her last performance and she intends everything to go smoothly.
Of course, it doesn't, since the murder, an attempted murder, the mugging, and the art theft are all connected. Fortunately, Max is back in town to help the cops wrap up the case and catch the guilty parties. It's really too complicated to make much sense, but if you don't share my dislike of amateur theatricals, you'll probably enjoy it more than I did.
I'm just hoping that the next in the series will get away from stagecraft completely. Enough is enough.