Who was at whose party last night with whom? For the residents of Riseborough, the answer to that question and other gossipy tidbits like it is their prime preoccupation during days spent in the relatively otherwise unexciting little town. Chief among the participants are the women who vie for social superiority, engaging in small social battles to ensure their standing. (My favorite example of this is the feud that occurs between Mrs. Altham and Mrs. Ames on the subject of punctuality. "About two years ago, Mrs. Ames had arrived at Mrs. Altham's at least ten minutes late for dinner, and Mrs. Altham had very properly retorted by arriving a quarter of an hour late when next she was bidden to dinner with Mrs. Ames, though that involved sitting in a dark cab for ten minutes at the corner of the next turning...") Their ridiculous schemes, which often backfire, seem petty and pointless but occupy all of their time and energy. At the opening of the novel, the most ardent competition is between the displaced Mrs. Altham and the new reigning queen, Mrs. Ames. Soon, however, it becomes apparent that Millie Evans, the shy and extremely pretty new doctor's wife, has, wittingly or not, begun to gradually usurp their power. This intolerable situation cannot continue and Mrs. Ames, who sees her husband and son being drawn in by the siren's call, is determined to set things right again. She begins an all-out campaign to reclaim the attentions, if not the heart, of her husband and her throne in the village. But will the measures she undertakes be enough to win the war? The results of her plotting and of Mrs. Evans' skillful manipulations lead not only to a stirring climax but also to surprising growth for many (though certainly not all) of those involved. Roused from their idle and routine existences, Mrs. Ames and Mrs. Evans each begin a journey of self-discovery and enlightenment. Nearing the end of middle age, they have finally realized the petty and pointless natures of their lives and yearn for excitement and change. From "innocent" flirtation to strident political campaigning, their methods are divergent but lead to extraordinary personal growth and change for both women. One character, in particular, becomes a shining light of the growth to which we should all inspire, when she realizes that "...there were other things to care about..." outside of her previous insignificant occupations and jealousies.
E.F. Benson is a master in the art of the social novel, focusing on the small and insular lives of the inhabitants of small towns in the early 1900s. Though the main action of his books is relatively minimal, the conflicts, both external and internal, in which his characters are involved are full of interest and insight. Using irony, satire and biting humor, Benson pokes fun at the petty and grasping nature that lies beneath the surface of us all, tempering it with sympathetic reminders of our more lovable and admirable assets and weaknesses. There is so much of humanity in his portrayals that it's easy to identify with the main characters and to become absorbed in their stories. Though the novel sags a bit in the middle, it is overall a very good read with passages that so clearly define what it is to be human, female and "of a certain age," needing so desperately to be understood and appreciated and to feel fulfilled. Slightly darker than his popular Mapp and Lucia series, the book is an excellent recommendation for those who appreciate a very perceptive look into the human psyche.
My favorite quote is a description of Mrs. Ames: "In appearance she was like a small, good-looking toad in half-mourning; or, to state the comparison with greater precision, she was small for a woman, but good-looking for a toad. "