Joanna's life plan included marriage to Martin, her friend since childhood. But then Martin instead went and proposed Rina, 19.
For inexplicable reasons, Rina is getting married from Joanna's stepfather's stately home, and with one exception everyone is either ignoring Joanna's prior claim to Martin, or is selfishly ignorant of it (i.e. Joanna's mother).
Rina's uncle Nick, however, is all about giving Joanna the disapproving 'behave yourself' glares best associated with the type of hero I love to hate and Wilson's heroines invariably fall for. Joanna doesn't like Nick. She doesn't like him in the sense that she can't articulate her fear. She (maybe) wants to climb all over him, but certainly knows that doing so will result in pain and humiliation. He's a business associate of her stepfather, and for posh English reasons, is frequently invited to hung out at the stately home, and is mentally counting down the years until it isn't too gross to climb on Joanna.
Nick has arrived in a helicopter, trailed by Joanna's author dad. Joanna's selfish mother divorced author dad because he wasn't posh, and married an upper class twit owner of a stately home. Author dad went off to live on a tropical island, and Joanna visited him on holidays. Any happy reunion between father and daughter is pushed aside because Nick wants to lecture Joanna on her Duties to the Bride.
And BTW, he is going to have sex on her. Very soon. Rina has agreed to get married at the stately home of some twit she's never met because uncle Nick is paying for the wedding. Further, this whole thing (orchestrating the marriage on Joanna's turf, bringing her father, ordering her around, and playing on her humiliation over the loss of Martin) is clearly Nick's head game strategy. If he can get her off balance, she's bound to fall into his bed!
Nick is upfront about his desire for sex with Joanna. He's rich. He has a vaguely aristo Italian family and upper-crust New York family, but he's also made his own pots of money by being all energetic and dynamic in business, and probably ruthlessly unpleasant. He's gorgeous and could have any woman he wants! He's clearly jealous of Martin. He's wanted Joanna since he first set eyes on her when she was 17, and perhaps he also has/had positive emotional feels for Joanna beyond a disinclination to seduce a teenager. It's a bit hard to tell, but Wilson likes the 'loved her and waited for her to grow up' hero, so he's potentially one of those.
I didn't quite get it. Nick is honest about what he wants, to a point. It's frustrating when I start interpreting some bad behaviour of the hero's as his internal struggle with the realisation that he's more emotionally invested in the heroine than he expected, or wanted, and is feeling guilty about his desire to have sex with her. I start feeling I'm giving him more leeway than he deserves. Maybe he really is struggling with feelings, but he's still being a jerk, and there's never much post-mortem of 'when I said/did that it was because I was fighting what I wanted, which was to tell you I loved you and would love you forever' to acknowledge it.
There's a particular scene where Nick is mean and Joanna is humiliated and it just feels manipulative, because Joanna is all caught up in what it means to be a 'good girl' and it's a real jerk move of a hero bent on seduction to, when he almost gets there, suddenly decide that he needs to deliver a savage and confusing diatribe on the heroine's character. Sure, it's a great way to sneak in some almost sexy times as a teaser, but it left some mucky emotional shadows.
He's not all bad. There are occasional hints that he does back off when Joanna makes it clear that he's frightening her. At one point she tells him that he's a threat, not a person, and he does reference that back to her later, so he clearly listened.
Wilson once again uses health and injury to demonstrate the development of caring: Joanna falls over and gets concussion, gets the flu and has an emotional breakdown when she receives some devastating news. Nick is increasingly present for these 'adventures.' I like the health and injury trope, but it did get a bit much in this book.
Jealousy over Martin continues as a theme. Joanna is 23, shy, and working as a fashion designer. Wonderfully, although this seems to disappear as the plot country hops and Nick and Joanna start getting closer, her job does resurface. Joanna does get some independence. Just not much.
While she quickly gets over Martin, it's not quite quick enough for Nick. Martin resurfaces as a point of conflict, which is frustrating since it becomes about Nick's reaction rather than Joanna's growth and independence.
In addition to being accident and virus prone, Joanna has a terrible relationship with her mother, which is far more important than what seems to be a fairly healthy relationship with author dad. It also doesn't prevent her from deciding she has to sacrifice herself out of a sense of obligation when the opportunity arises. Plus, she gets to frame her sacrifice as an example of her fondness for the upper class twit.
Of course, all these men are disappointments, and it would have been satisfying if Joanna had told Martin to get bent and left the twit to his own fate. Compared to alpha Nick all the men are weak and ineffectual, which made me sad for Joanna, because it would have been nice for her to at least have an effective dad.
It's always very easy to sympathise with Wilson heroines, and it's mostly easy to assume the best of her heroes. Dark Illusion has a lot of Wilson's classic tropes - the guilt-ridden heroine tormented by the realisation of her own desire and her pain when it looks like she may end up doing something that will result in a moral and emotional loss. Plus, getting sick and falling over. Joanna's not as zany as other Wilson heroines, and I think she's only mildly tortured by jealousy, but she still gets her fair share of adventure. Joanna and Nick spend a fair chunk of the book apart, which is probably a good thing for Joanna since she needed to get a little more confidence and to break away from her misery over how awful her mother was.