Writin’ Is Fightin’ collects essays by novelist Ishmael Reed from 1983 to 1988.
Some certainly are dated and of little interest today, for example, satirical pieces on what the Democrats should do about the 1984 election and how apartheid could survive the abolition of apartheid.
Of particular interest to me are Reed’s evaluations of other writers. He interviewed August Wilson, at the time when Fences was first being produced. Reed, a multiculturalist, takes some issue with Wilson, who holds a more Afrocentric view, but he appreciates Wilson as a playwright and predicts what Wilson would accomplish. Reed attempts to reclaim the reputation of Chester Himes, who was derided by James Baldwin (one of the three dedicatees of the book). The quotations from Himes’s work, however, generally do not support the reclamation.
Particularly poignant are a pair of essays about Oakland, California. The first, from 1983, depicts a community distressed but buoyed by neighbors who help each other. The second, from 1988, despairs over the effects of crack, particularly in the rise of gangs profiting from the drug. Reading this essay, one can understand the push for tougher prison sentences that became common at the time.
Even while recognizing the problem of gangs, Reed worries about the stereotyping of African American men as criminals. In one piece he castigates The Color Purple for depicting African American men as brutes, accusing film director Steven Spielberg, book author Alice Walker, and Walker supporter Gloria Steinem.
I have read three novels by Reed – The Freelance Pallbearers, Yellow Back Radio Broke Down, and Japanese by Spring – and I would recommend that a reader unfamiliar with Reed’s work try one of these before Writin’ Is Fightin’