This novel truly altered my mind intellectually, and though one can argue whether or not for the better, the fact that I am still thinking about it and wanting to talk about it means the author accomplished his mission.
From everything I heard and read about Ed Lee, I expected to hate this writer's work. But I was sucked in by all the talk about how over-the-top his depictions of sex and gore were in his novels that I set out to prove I could stomach it.
Less than 1 year later, I have read 6 of Lee's novels and a collection of short collaborations with Jack Ketchum. Now, the creep I knew I could hate with all the Wrath of the Gods behind me has become one of my most-read authors.
This novel falls somewhere between the infamous "Bighead" and my favourite of his works, "The Minotauress." While the "Bighead" truly broke ground as one of the sickest and most vile thing ever put to print, the prequel, "Minotauress" was still gross, but was a more self-reflective, comedic, meta-analysis of Lee's work, of the origin of myth, and writing in general. Both novels were genius. So I decided to keep diving into more Ed Lee. When I discovered a Deluxe Signed Edition of "Haunter," complete with lush illustrations and gorgeous bindings, I jumped to buy it. I won't say what I paid for it, because it still upsets me (and my wife.)
The story itself steals from previous Lee works and Lovecraft's "Haunter of the Dark." In fact, this is really a sequel of Lovecraft's short story, and continues the story of one of the most awe-inspiring gods of the Lovecraft mythos, Nyarlathotep. It is a downright terrifying piece of cosmic horror. As a survivor of Hurricane Katrina, the depiction of mysterious storms and the unsympathetic destruction laid upon humankind was all too real to me. And the "Gray Cottage" of unfathomable origins and history, with the only door situated flush against the edge of a deep cliff, was a perfect vehicle of weird fiction to link two worlds.
Unfortunately, this otherwise brilliant novel has problems.
First of all, cosmic horror is effective because it suggests unknowable intelligent civilizations above us, just as humans looking at a colony of ants are unknowable to the ant. Lovecraft was effective because he did NOT fully reveal his monsters. They remained Unknowable and Mysterious, at least for the most part. But Lee, claiming to be inspired as a horror writer by Lovecraft, misses this essential element of his muse. He happily depicts the Old Ones being preoccupied with tentacle-sex as much as a stunted gamer-nerd. It is as if Lee thinks the images of the original Godzilla, wading slowly and silently through a Tokyo skyline of bleak black-and-white darkness, would have been improved if Godzilla were wielding a lube-dripping dildo instead of atomic breath.
Another problem is with Lee's usage of his own old material. Two characters were introduced early in the "Haunter" that I was sure would be revealed to be Dicky and Balls from the aforementioned "Bighead" and "Minotauress." But no, Lee basically took everything that embodied these two guys and made them completely boring. Except for the following lines:
PROTAGONIST: "...you rednecks that flunked out of 4th grade!"
ANTAGONIST: "Make that 7th grade, sister!"
Otherwise, these two nitwits repeated pretty much the same acts as Dicky and Balls in "Bighead." But mostly in dreams. So anyone who has read "Bighead" would find nothing new here.
In addition, the protagonist is a mash-up of the nymphomaniac and the priest characters from "Bighead." Hazel is a smart-mouthed tough guy who makes fun of her variety of assailants, rapists, and tentacled monsters throughout the story, much like the "Bighead" priest, but unlike his character, she not only survives her molestations through incredible wit, she even solicits her attacks because she enjoys them.
This quality about Hazel does not make her the most sympathetic character, but does point to one main theme of the book--where is the line between a good person and an evil person, pleasure and pain, art and trash?
Hazel, with a cross around her neck, a cleric father, a friendly personality, and indomitable hatred for the sufferings of others, is also enslaved by an uncontrollable urge to suffer and be humiliated. She hates herself and God, but relies on both to battle the "eldtritch" evils she encounters. And most often, her heroics lead to even more disaster. Fascinating.
And the real genius of Ed Lee is that his main character is in fact the Reader. In this case, each time Hazel submits to her addiction, she berates herself with, "Sick, sick, SICK!" At the same time, the Reader wonders why he or she subjects themselves to reading such smut and disgusting porn. But somehow Lee invites those who have "crossed the Threshold" to keep reading... and buy even more books about people eating feces and being tortured by rednecks and raped by tentacled "Old Ones."
This book forces us to ask, "What is wrong with us for reading this?" just as Hazel asks herself what is wrong with her for delving into her own mysteries, dreams, and fantasies. The Reader can't help but identify her as Good, but her choices are anything but good. But you cheer her actions nonetheless, especially when she starts getting even with the "Bad Guys."
By the end of this novel, you will feel dirty. In my case, I took a nice long soak in the whirlpool tub. This is because of the power of this novel to force you to question who you are, and it leaves you with no answers. It leaves you disgusted at the smell of your own bio-scents. You pause slightly at your own basic needs to eat, defecate, fornicate, and even to cuddle. Thus, the unease and terror that comes from true Cosmic Horror.
This basic philosophical dilemma, along with a hearty dose of the mysteries behind non-Euclidean mathematics, are salted with some of the spookiest examples of weird fiction I've ever read (a la M.R. James). For example, I woke up in the middle of the night hearing the clicking of someone typing on a computer keyboard for days after reading a particular scene in this novel.
But this is far from the best of Ed Lee I have read. The pacing is slow, and the gore porn scenes, which are mostly reused from other Ed Lee books, fill up the majority of what could have been an otherwise creepy short-story and perfect homage to Lovecraft's masterful original. And Lee proved his audience prefers reading about the slimy phalluses of Lovecraft's monsters more than the actual subliminal horror of the writing of Lovecraft.
In summary, if you are a fan of Lovecraft who has grown frustrated with the Master's work being associated primarily with blob monsters, tentacles, and Cthullu mythos role-playing games, don't read this book.
If you are a horror literature fan and have only heard of Ed Lee, but are somehow drawn to his work like someone gazing into the Shining Trapezohedron, this may not be the book to start with... but if you do start here, you WILL STILL be fan of this crazy writer for life.
If you are already a Lee fan and still have not read "The Haunter," you MUST read it. You will most likely love this book, and find yourself thinking about it more than you planned.
Finally, if you are easily offended, grossed out, and scared--stay away from this book and Ed Lee in general--you have been WARNED!
"Haunter of the Threshold" will bridge that philosophical and experiential gap for both casual and dedicated readers of Horror fiction. Despite its faults, I still rate this a solid 4 stars only as a Horror selection.