Freak Shows and the Modern American Imagination: Constructing the Damaged Body from Willa Cather to Truman Capote

by Thomas Fahy

This book examines the artistic use of freak shows between 1900-1950. During this period, the freak show shifted from a highly popular and profitable form of entertainment to a reviled one. But why? And how does this response reflect larger social changes in the United States at the time? Fahy examines this change and how artists responded.

202 pages, Hardcover

First published October 3, 2006

About the author

Thomas Fahy is a nonfiction writer, novelist, and professor of literature and creative writing. His most recent book, The Life of the Author: F. Scott Fitzgerald, is being released in the fall of 2025. He has also published essays on everything from Paris Hilton and 1980s vampire films to contemporary television and theater. His works have been translated into several languages, and he has been interviewed by the Associated Press, Salon, and other publications, as well as radio hosts in the United States, Britain, Canada, Australia, Ireland, and Malaysia. He was recently featured in a documentary about Truman Capote’s In Cold Blood for Arte Television and on the BBC radio program “Literary Pursuits.”

When he is not writing, Dr. Fahy performs regularly as a classical pianist with the New York Piano Society and has appeared in recent concerts at Carnegie Hall, Lincoln Center, Merkin Concert Hall, and other venues in New York City.