This short (250 or so pages) book about the history of Nantucket Island was journalist Nathaniel Philbrick's first history book, and it proved to be such a success that he went on to write a handful of others, most of which I have read. In fact, one of the episodes of this book about Nantucket became a full-fledged Philbrick narrative (and then a movie) called "Heart of the Sea," which described a disastrous whaling journey in the early 19th century that originated on the island. "Away Off Shore" begins its story in an era when the island was inhabited by natives, whose word for "away off shore" gave the island its name. The book describes the arrival of its first white settlers in the mid-17th century and examines the evolution of the relationship between the two early groups of inhabitants. Obviously, the emergence of the whaling industry is front and center of the story of the island, and the reader emerges with a pretty good overview of the history of this once essential industry and the way that it shaped the fortunes of Nantucket. The unique religious nature of the island's white inhabitants (literally an island of Quakers in the sea of New England Puritans) is discussed, as well as the characteristics of the island's social system and its tenuous economic position during the wars with Great Britain. Sadly, for the island and its inhabitants, their star was in decline by the mid-19th century. A tremendous fire destroyed much of the harbor town, the California Gold Rush took away many of its young men and its ships, and the construction of larger ocean-going ships meant that the island's sandbar-guarded harbor was no longer accessible to many of the newest vessels. (And all of these things took place before the Rockefeller-led petroleum boom of the post-Civil War era meant that a much cheaper fuel than whale oil was readily available.) In the end, the island took a turn down what was probably the only route left to it: tourism. Philbrick makes use of a lot of primary source materials left behind by the island's early inhabitants, and my one complaint is that the availability of these materials at times is what drives the narrative. We learn a lot about some figures, not necessarily based on their centrality to Nantucket's story, but rather because their individual story is available. But this is a minor complaint about an otherwise interesting and fast-moving narrative.