The world of finance exerts a huge influence over our lives, being responsible for economic turmoil and seemingly interminable peaks and crashes. Whereas money was once a simple means of exchange, today it is a commodity in itself and, as “capital,” exerts power over individuals, degrading work to tradable labor. Can we find a new way of understanding money today, so that we can begin to overcome its destructive aspects? In November 1984, a remarkable discussion took place at the Meeting House in Ulm, Germany. It featured the radical artist Joseph Beuys, two professors (of financial sciences and political economics) and a banker. Beuys would seem to be out of place among such heavyweight academics, professionals, and authors, but rather than feeling intimidated by his fellow panelists, Beuys―also a social and political activist―demonstrates his groundbreaking thinking on the subject and his ability to introduce fresh perspectives. Here for the first time is a record of this discussion, as well as analysis by Ulrich Rösch, which will be of equal interest to artists, economists and spiritual seekers.
Joseph Heinrich Beuys (/bɔɪs/ BOYSS, German: [ˈjoːzɛf ˈbɔʏs]) was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism, sociology, and anthroposophy. He was a founder of a provocative art movement known as Fluxus and was a key figure in the development of Happenings.
Beuys is known for his "extended definition of art" in which the ideas of social sculpture could potentially reshape society and politics. He frequently held open public debates on a wide range of subjects, including political, environmental, social, and long-term cultural issues.