This is the third book in the “History of the American Cinema” series published by the University of California. I reviewed the other two last year, but the next one will be outside “my period” so it may take a while before I get around to reading it. Where the first volume was largely concerned with the technological advancement of film and some of the early studios, and the second covered mainly exhibition and the rise of the moguls, this volume is more concerned with content and presentation than the others, and spends a lot more time discussing important directors and actors. This makes sense, as we are moving into a period in which the “star system” and “auteur theory” begin to seem relevant, but he does still devote chapters to discussing movie palaces, projection, corporate organization, and changes in technology, so historical context is not overlooked.
This book is a strong entry in the series, and uses a wide range of sources as well as demonstrating a strong familiarity with the movies of the period on the part of its author. It is becoming somewhat dated, after more than 25 years, but still provides a good grounding in the basics of the period and will give anyone interested in the period of silent features many suggestions of “must see” movies to watch for.