The Social Welfare Agency may sound like some do-good government program, but it is in fact Italy's leading counter-terrorism force. They take in crippled girls whose parents can no longer afford them, and transform them into killer cyborgs. The girls are programmed to follow orders from their handlers with fanatical loyalty and, on some levels, are little more than Terminators. But they still have the vestiges of little girl minds and their desire to please their handlers often manifests as girlish crushes -- if, you know, little girls went around murdering people for the sake of puppy-love. All of which is damn creepy.
This omnibus contains volumes four through six of the manga, which makes for an uneven book overall. Volume 4 largely focuses on Triela and her recovery after the battle with Pinocchio, an assassin who nearly killed her in the previous book. There's also a slice-of-life chapter focusing on Claes, a cyborg who was rendered useless when her handler died and now spends her days gardening, and two chapters where the SWA goes after an arms smuggling ring within the Italian military. But even with the action sequences, Volume 4 is very laid back. Things pick up in Volume 5 as a power struggle within the Padania terrorist group allows the SWA to locate Pinocchio and his companions, bomb-makers Franco and Franca. The sixth volume then switches gears as we're introduced to Alessandro, who's been selected as the handler for the first 2nd Generation cyborg. While the 1st Gen handlers are all from the police or military, Sandro is a spy -- the higher-ups in the SWA have decided the project could benefit from agents who are less hidebound. His 2nd Gen cyborg is also quite different from the other girls -- the scientists have dialed back the technology, using less brainwashing and making the augmentations less powerful, which allows them to use an older girl as their subject, in this case a 16 year old Russian girl named Petra.
Compared to the first omnibus, where the division between the original volumes was nearly invisible, this time there's a clear sense that we're getting three different books. It's not fair to criticize an omnibus for not being a unified work, but even judged individually I don't think these three volumes have as strong a narrative through-line as the earlier ones, which robs the series of its forward momentum. The parts are good, but at this point it feels as though the series is meandering. Hopefully the third omnibus will get it back on track.