Riche et charismatique mécène, Drewe Hildebrand suscite le scandale en organisant une exposition de « bio-art », qui inclut des foetus et des masques faits de sang humain, dont l’un à l’effigie de Drew elle-même. Est-ce pour cette raison qu’elle disparaît de sa propriété située au bord de l’Hudson, apparemment kidnappée au cours de la nuit ? Sa jeune nièce Marthe, retrouvée droguée au crystal meth, est trop traumatisée pour décrire les ravisseurs. Saura-t-elle échapper à ses terrifiantes hallucinations pour aider la police ? Cette enquête haletante est aussi une plongée dans le monde des « bio-artistes » et une réflexion singulière sur l’art contemporain.
Really enjoyed this quite dark story. Obviously, with JCO writing as Lauren Kelly, you get her brilliance and bittersweetness packaged in a shorter and seemingly “thriller” format. I’m going to have to check her others under this pen name. Recommended!
Overall I enjoyed the story. The description did seem to be a bit misleading, as the involvement of bio-art was not to the extent the back cover seemed to imply. The style might not be to everyone's taste, as it's somewhat disjointed at times, particularly at the beginning. This echoes Marta's mental state, even in later chapters which begin with a quotation that lead her to then pull forth the associated memory. The story is all in her head, which has been affected. There are a few different themes throughout, and I'm sure I missed a lot of it because I went through the book in a day, but I particularly liked how Drewe was so strongly drawn to grotesque art, to hiding identities, to describing normal people as having small souls. The things she found truly impressive and beautiful were those disturbing things people kept buried away. She wanted to both see them and not have to come into contact with them at all. Despite the somewhat misleading description, I still found the book to be good.
This is Joyce Carol Oates as her lightest...Lauren Kelly is just one of her pseudonyms that she wrote under for a brief spell. For those that find JCO difficult to read, this is a lot easier...less stream of consciousness, more precise story telling.
However, keeping with her typical dark style, the story itself is very JCO. Diabolical, a little confusing and twisty, slightly morbid, though not overtly grotesque. It is the story of Annabelle (who becomes Marta), a teenager sent to live with her rich, art-influenced (influencing) aunt after her parents become incapable of caring for her. What first seems like a dream come true (moving from a broken home to a mansion) quickly becomes a nightmare of manipulation, unrequited love and a struggle to prove loyalty.
A pretty quick read, yet not amazingly profound in any way. Great for those who'd like to dabble in a little JCO to peak behind those dark brocade curtains of her mind.
I'm usually a sucker for Joyce Carol Oates under any name, but this one was tedious. I stuck with it, but now I'm a little irritated with myself that I gave it as much time as I did.
This book was very hard to read. There were no whole sentences and the thoughts were random. Not sure what was real time and what was memory. not a fan!
Tenia mucha curiosidad por leer a Lauren Kelly que no es otra que Joyce Carol Oates escribiendo bajo seudónimo; tenia curiosidad por ver si cambiaba en algo su estilo, su narrativa y sin embargo, no veo la diferencia. La Oates como Lauren Kelly sigue siendo prodigiosa, brillante, imaginativa;una novela de suspense que es solo una excusa, una vez más para profundizar en sus personajes, para bucear en la oscuridad no solo en los múltiples recovecos de la personalidad, sino tambien bucear en ciertos temas, en este caso, el arte, los artistas y todo ese mundo gira en torno a las galerias de arte. Totalmente recomendable especialmente para los fans de Joyce Carol Oates.