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Die komische Frau

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Geister oder die Schatten der Vergangenheit? Ein Haus nahe der Berliner Karl-Marx-Allee, durch das der Atem der Geschichte weht, eine junge Frau, die mit der Vergangenheit konfrontiert wird, als ihre Gegenwart aus den Fugen gerät, und ein kleiner Junge, dessen Phantasien immer realer werden.Lena und Leander ziehen mit ihrem Sohn von Hamburg nach Berlin – in einen der stalinistischen Prachtbauten nahe der Karl-Marx-Allee. In diesen Häusern, einst verdienten Kommunisten vorbehalten, sind auch Jahre nach der Wiedervereinigung die alten Strukturen und Seilschaften noch lebendig.Belustigt beobachten die Neuzugezogenen die alten Mieter, die hier seit Jahrzehnten wohnen und wie in alten Zeiten ihr Hausbuch führen. Dann trennen sich Lena und Leander, er zieht aus. Und plötzlich geschehen merkwürdige Hatte Lena die Fenster nicht geschlossen? Hat sie wirklich vergessen, die Kerzen zu löschen? Und wen sieht ihr kleiner Sohn, wenn er immer öfter ängstlich von der „komischen Frau“ spricht?

188 pages, Hardcover

First published July 6, 2010

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Ricarda Junge

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Profile Image for Bjorn.
993 reviews188 followers
January 21, 2015
There's a standard plot for single-parent ghost stories: Single woman (almost never a man) with small child moves into new flat, tries to balance parenthood, supporting herself and her child, and society's mixed views of single parenthood. The more it all gets to her, the more she starts to notice that something is Wrong in the flat. That's The Exorcist, that's Dark Water, that's (the mostly excellent 2014 film) The Babadook... To some extent it's The Turn Of The Screw as well.

Junge makes the clever move of having the young mother be a West German moved to the former East Berlin, about 10 years after the reunification, adding another ghost layer; an entire country, an entire set of rules and social mores and memories that have officially ceased to exist. There's an invisible country just underneath the one she sees, and her neighbours have all known each other for a long time, so who does she turn to when her 2-year-old son starts talking about seeing a strange woman in their flat...? Is there an actual ghost, or is she the young reunited German just slowly losing track of where she is and whether she shares the same Germany as her parents and her neighbours...?

Sadly, the novel never quite lives up to what the setup promises. Junge never raises the stakes enough to make it a good ghost story - especially with the rather lame ending - and her protagonist/narrator never quite digs deeply enough into the world she finds herself in to be much more than a passive observer. It's still a great setup, and it delivers for a while, but putters out to a weak ***.
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