The fifth volume in Corben's groundbreaking adult fantasy series [the series 1. Neverwhere (1978, 1985, 1991); 2. Muvovum (1984, 1991); 3. Children of Fire (1992); 4. Dreams (1992); 5. Elements (1992)].
American illustrator and comic book artist best known for his comics featured in Heavy Metal magazine. He won the 2009 Spectrum Grand Master Award. In 2012 he was elected to the The Will Eisner Award Hall of Fame.
Cool artwork. The first splash page looks like the coolest 90s video game never made. Lots of strange pixelation throughout but only on certain pages that use a computer style. Corben can't really pick a lane here, each page looks like a completely different project. Some are classic Corben.
Combined with the nudity and grotesque imagery, this is definitely not for the faint of heart.
The story at this point is so bizarre and I just can't make heads or tails out of it. It started to get weird since volume 2. I swear I just read 3 and 4 a few weeks ago, but I'm not trying to get my PhD in Den comics. Unfortunately this is the last volume Corben completed, so we never get a conclusion to the story - although I'm not sure any conclusion would be satisfying.
Vol 1+2 are great. 3 starts the confusion with a prequel that creates more narrative issues and questions and solves none. 4 was fine, I think the PG art and a co-writer helped although I was still confused. I'll probably go back and enjoy the first few volumes again then try this one out. I read it for the first time over 10 years ago and had a similar experience.
The series ended strong. This last storyline gets back to what made the original so great, with violence, nudity, and giant lizards. Richard Corben’s art is so bizarre and fascinating. It’s so hyper-detailed and fleshy.
The fifth and final collection of Richard Corben's absurd, surrealistic fantasy adventure comics series, Den, "The Price of Memories" collects the stories from DenSaga, previously uncollected in English. Collectively, the stories follow an amnesiac Den on a journey to the Island of Heaven, where he works with old friends and flames to uncover the darker nature behind the idyllic setting. The vignettes loosely thread together, but it doesn't feel cohesive (not that much of this series ever has). Corben's artistry is still top notch here, and as garishly unique as ever, but very little feels resolved by this final volume.
Ya a estas alturas de la saga de DEN, el trabajo creativo se ha dividido: la historia fue escrita por Simon Revelstroke y el dibujo por Richard Corben (por cierto, esa sociedad también creó el número anterior). Esto fue muy buena idea; los dibujos de Corben brillan por su estilo y originalidad, y la historia de Revelstroke ya muestra un buen trabajo literario y suficiente intriga para ser interesante, aunque no deja de ser un cómic de aventuras. Den ya ha recuperado su forma física y todas sus habilidades guerreras; se ha aliado con viejos amigos para asaltar el castillo de Scon y recuperar las piedras de Nar. En el camino, Den tiene un par de aventuras con una especie de humanos-peces que viven en guaridas submarinas y con una serie de monstruos carnívoros que viven en cuevas; encuentra y rescata a Kath, el amor de su vida. Se reúnen con sus aliados para reagruparse y terminar el asalto a la fortaleza de Scon, donde Den descubre que lo han engañado para que la reina roja recupere las piedras. En fin, como es un guion de cómic, el episodio termina con un deux ex machina (aunque bien hecho y emocionante): como Scon no sabe manejar bien el poder de las piedras, causa una erupción de un volcán cercano, así que mueren todos excepto él, y sus aliados que habían ido a buscar una nave para huir y no estaban en la fortaleza.
This entire review has been hidden because of spoilers.
Corben's last foray into the world of Den is something of a return to form, after a couple of volumes that felt 'not quite right' due to some moderation of content. The art is back to pure Corben gold, and the story is perhaps the best structured of the whole series. Sad that we will never see anymore, it would only have taken a couple more volumes (perhaps even one) to round everything out, but let's just be grateful for what we have.
More a collection of short vignettes than a coherent story. And it just kind of tails off without a conclusion. Still, the real draw here is, as usual, the artwork and it just might be worth it for that alone.