Felicia Iancu
I’ve just published In the Cemetery, a lyrical horror story that closes the first circle of Felicity: Geography of Being.
Now I’m working on something deeply personal — Caietul cu compuneri, Caietul cu splendori (1980–1984) / The Notebook of Compositions, The Notebook of Splendors.
It gathers the earliest texts of my childhood — poems and fragments written between innocence and awakening.
The Romanian version is complete; I’m now translating it into English, French, Spanish, and Italian.
Each language feels like a mirror of the same child — one who believed that words could still save the world.
Now I’m working on something deeply personal — Caietul cu compuneri, Caietul cu splendori (1980–1984) / The Notebook of Compositions, The Notebook of Splendors.
It gathers the earliest texts of my childhood — poems and fragments written between innocence and awakening.
The Romanian version is complete; I’m now translating it into English, French, Spanish, and Italian.
Each language feels like a mirror of the same child — one who believed that words could still save the world.
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