“A Problem Play?

It's not so surprising, then, that for the last 125 years All's Well has been known as a 'problem play' - a term used by the critic F.S. Boas to describe those plays by Shakespeare that mix comedy with tragedy, resolution with ambiguity, in complex and often unreconciled ways. Over the years, the term 'problem play' has expanded to include many plays that defy the conventions of genre or that raise questions about the ethical principles guiding its characters and events.

But its worth noting that, for Boas and his contemporaries, the term 'problem play' applied most readily to the challenging realist drama of their time - and in particular to the work of Henrik Ibsen, who presented audiences with difficult, headstrong characters who, unconventionally, were often women. Rather than conforming to the stereotype of the quiet, compliant wife, mother, or daughter, these characters respond to social inequalities with a defiance, recklessness, and selfishness that is at once damaging and liberating.

Whether this rings true for Shakespeare's Helena depends on how we read and perform her. But one thing that does remain constant, across time, place, and production, is that All's Well and its characters are never straightforwardly easy or likable. Perhaps this is why they remain so relevant, like it or not, to life as know it today.”