“photography can help us to grasp. The camera can capture scenes that pass too quickly, too remotely, or too obscurely for the subject to consciously perceive. By enlarging details, or by slowing down or stopping time, the camera pictures phenomena that the viewer has encountered and unconsciously registered but not consciously processed. This sense of the optical unconscious is not about making latent memory traces visible, however, but rather demonstrating the reach and complexity of unconscious perception,”