“One of the more interesting memos written during his two-week trial period urged Rapf to secure a print of The Battleship Potemkin, a recent film by Soviet filmmaker Sergei Eisenstein. “It possesses a technique relatively new to the screen,” wrote Selznick, “and I therefore suggest that it might be advantageous to have the organization view it in the same way that a group of artists might view and study a Rubens or a Raphael.”