The Readers Review: Literature from 1714 to 1910 discussion

About Maria Edgeworth

This information comes from her Wikipedia page

Maria Edgeworth (1 January 1768 – 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held views on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo.

Maria Edgeworth was born at Black Bourton, Oxfordshire. She was the second child of Richard Lovell Edgeworth (who eventually fathered 19 children by four wives) and Anna Maria Edgeworth (née Elers); Maria was thus an aunt of Francis Ysidro Edgeworth. She spent her early years with her mother's family in England, living at The Limes (now known as Edgeworth House) in Northchurch, by Berkhamsted in Hertfordshire. Her mother died when Maria was five, and when her father married his second wife Honora Sneyd in 1773, she went with him to his estate, Edgeworthstown, in County Longford, Ireland.

Maria was sent to Mrs. Lattafière's school in Derby after Honora fell ill in 1775. After Honora died in 1780 Maria's father married Honora's sister Elizabeth (then socially disapproved and legally forbidden from 1833 until the Deceased Wife's Sister's Marriage Act 1907). Maria transferred to Mrs. Devis's school in London. Her father's attention became fully focused on her in 1781 when she nearly lost her sight to an eye infection. Returning home at the age of 14, she took charge of her many younger siblings and was home-tutored in law, Irish economics and politics, science, and literature by her father. She also started her lifelong correspondences with learned men, mainly members of the Lunar Society.

She became her father's assistant in managing the Edgeworthstown estate, which had become run-down during the family's 1777–1782 absence; she would live and write there for the rest of her life. With their bond strengthened, Maria and her father began a lifelong academic collaboration "of which she was the more able and nimble mind." Present at Edgeworthstown was an extended family, servants and tenants. She observed and recorded the details of daily Irish life, later drawing on this experience for her novels about the Irish. She also mixed with the Anglo-Irish gentry, particularly Kitty Pakenham (later the wife of Arthur Wellesley, 1st Duke of Wellington), Lady Moira, and her aunt Margaret Ruxton of Blackcastle. Margaret supplied her with the novels of Ann Radcliffe and William Godwin and encouraged her in her writing.

In 1802 the Edgeworths toured the English midlands. They then travelled to the continent, first to Brussels and then to Consulate France (during the Peace of Amiens, a brief lull in the Napoleonic Wars). They met all the notables, and Maria received a marriage proposal from a Swedish courtier, Count Edelcrantz. Her letter on the subject seems very cool, but her stepmother assures us in the Augustus Hare Life and Letters that Maria loved him very much and did not get over the affair quickly. They came home to Ireland in 1803 on the eve of the resumption of the wars and Maria returned to writing. Tales of Fashionable Life, The Absentee and Ormond are novels of Irish life. Edgeworth was an extremely popular author who was compared with her contemporary writers Jane Austen and Sir Walter Scott. She initially earned more than them, and used her income to help her siblings.

On a visit to London in 1813, where she was received as a literary lion, Maria met Lord Byron (whom she disliked) and Humphry Davy. She entered into a long correspondence with the ultra-Tory Sir Walter Scott after the publication of Waverley in 1814, in which he gratefully acknowledged her influence, and they formed a lasting friendship. She visited him in Scotland at Abbotsford House in 1823, where he took her on a tour of the area. The next year, Sir Walter visited Edgeworthstown. When passing through the village, one of the party wrote, "We found neither mud hovels nor naked peasantry, but snug cottages and smiles all about." A counterview was provided by another visitor who stated that the residents of Edgeworthstown treated Edgeworth with contempt, refusing even to feign politeness.

With the election of William Rowan Hamilton to president of the Royal Irish Academy, Maria became a dominant source of advice for Hamilton, particularly on the issue of literature in Ireland. She suggested that women should be allowed to participate in events held by the academy. For her guidance and help, Hamilton made Edgeworth an honorary member of the Royal Irish Academy in 1837, following in the footsteps of Louisa Beaufort, a former member of the academy and a relative of hers.

Though Maria Edgeworth spent most of her childhood in England, her life in Ireland had a profound impact on both her thinking and views surrounding her Irish culture. Fauske and Kaufman conclude, "[She] used her fiction to address the inherent problems of acts delineated by religious, national, racial, class based, sexual, and gendered identities." Edgeworth used works such Castle Rackrent and Harrington to express her feelings on controversial issues.

Mr. Edgeworth, a well-known author and inventor, encouraged his daughter's career. At the height of her creative endeavours, Maria wrote, "Seriously it was to please my Father I first exerted myself to write, to please him I continued." Though the impetus for Maria's works, Mr. Edgeworth has been criticised for his insistence on approving and editing her work.

Having come to her literary maturity at a time when the ubiquitous and unvarying stated defence of the novel was its educative power, Maria Edgeworth was among the few authors who truly espoused the educator's role. Her novels are morally and socially didactic in the extreme.

About Belinda

From Wikipedia. I haven't copied anything here that I would consider a spoiler, but feel free to skip this part if you prefer going in blind.

Belinda is an 1801 novel by the Anglo-Irish writer Maria Edgeworth. It was first published in three volumes by Joseph Johnson of London. The novel was Edgeworth's second published, and was considered controversial in its day for its depiction of an interracial marriage.

In its first (1801) and second (1802) editions, Juba, a Black servant, marries an English farmgirl named Lucy. The third edition of the book, published in 1810, omitted the character Juba, and instead has Lucy betrothed to a white man. [The first and second editions include another interracial relationship that is omitted in the third.] It has been argued that this change came at the insistence of Edgeworth's father, rather than the author herself, because he edited several of her works after their publication.

Belinda is a young lady who lives with her aunt, Mrs. Stanhope. Being unwed, Belinda is sent to live with Lady Delacour, whom Belinda considers fascinating and charming. The book deals with love, courtship, and marriage, dramatising the conflicts within Belinda's "own personality and environment; conflicts between reason and feeling, restraint and individual freedom, and society and free spirit."

Thank you for providing all this interesting background!