Josefine Dobberfuhl

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Paul Cude
“Would you like me to put you out of your misery, before I put you out of your misery?”
Paul Cude, Bentwhistle the Dragon in a Threat from the Past

Therisa Peimer
“Aurelia was just about to take a sip of a mimosa when Mother Guardian snatched the flute away and promptly downed the drink in one gulp. Burping unashamedly, she said, "We can't have the validity of the marriage contracts jeopardized because the bride got rat-assed on her wedding day.”
Therisa Peimer, Taming Flame

Sara Pascoe
“I really like Matilda and that's not a clever book, is it? It's for children. But she's my favourite main character because she comes from an awful family and likes reading, like I do. Those special powers must've made her life a lot easier, though. She wouldn't be working in a pub at thirty-two.”
Sara Pascoe, Weirdo

Wilkie Collins
“At any time, and under any circumstances of human interest, is it not strange to see how little real hold the objects of the natural world amid which we live can gain on our hearts and minds? We go to Nature for comfort in trouble, and sympathy in joy, only in books. Admiration of those beauties of the inanimate world, which modern poetry so largely and so eloquently describes, is not, even in the best of us, one of the original instincts of our nature. As children, we none of us possess it. No uninstructed man or woman possesses it. Those whose lives are most exclusively passed amid the ever-changing wonders of sea and land are also those who are most universally insensible to every aspect of Nature not directly associated with the human interest of their calling. Our capacity of appreciating the beauties of the earth we live on is, in truth, one of the civilised accomplishments which we all learn as an Art; and, more, that very capacity is rarely practised by any of us except when our minds are most indolent and most unoccupied. How much share have the attractions of Nature ever had in the pleasurable or painful interests and emotions of ourselves or our friends? What space do they ever occupy in the thousand little narratives of personal experience which pass every day by word of mouth from one of us to the other? All that our minds can compass, all that our hearts can learn, can be accomplished with equal certainty, equal profit, and equal satisfaction to ourselves, in the poorest as in the richest prospect that the face of the earth can show. There is surely a reason for this want of inborn sympathy between the creature and the creation around it, a reason which may perhaps be found in the widely-differing destinies of man and his earthly sphere. The grandest mountain prospect that the eye can range over is appointed to annihilation. The smallest human interest that the pure heart can feel is appointed to immortality.”
Wilkie Collins

Richard Matheson
“Then he went into the dining room, consulting his watch. It was ten thirty already. More than half the morning was gone. More than half the time for sitting and trying to write the prose that would make people sit up and gasp. It happened that way more often now than he would even admit to himself. Sleeping late, making up errands, doing anything to forestall the terrible moment when he must sit down before his typewriter and try to wrench some harvest from the growing desert of his mind. (“Mad House”)”
Richard Matheson, Collected Stories, Vol. 1

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