Jamal Shah
https://www.goodreads.com/jamalshah
“Let tomorrow cross its own rivers.”
― The Well at the World's End
― The Well at the World's End
“Yes, Marly. And from that rather terminal perspective, I should advise you to strive to live hourly in your own flesh. Not in the past, if you understand me. I speak as one who can no longer tolerate that simple state, the cells of my body having opted for the quixotic pursuit of individual careers. I imagine that a more fortunate man, or a poorer one, would have been allowed to die at last, or be coded at the core of some bit of hardware. But I seem constrained, by a byzantine net of circumstance that requires, I understand, something like a tenth of my annual income. Making me, I suppose, the world’s most expensive invalid. I was touched, Marly, at your affairs of the heart. I envy you the ordered flesh from which they unfold.” And, for an instant, she stared directly into those soft blue eyes and knew, with an instinctive mammalian certainty, that the exceedingly rich were no longer even remotely human.”
― Count Zero
― Count Zero
“Continuity could generate video images of Angie, animate them with templates compiled from her stims. Viewing them induced a mild but not unpleasant vertigo, one of the rare times she was able to directly grasp the fact of her fame.
'Public statement on your decision to go to Jamaica, praise for the methods of the clinic, the dangers of drugs, renewed enthusiasm for your work, gratitude to your audience, stock footage of the Malibu place...”
― Mona Lisa Overdrive
'Public statement on your decision to go to Jamaica, praise for the methods of the clinic, the dangers of drugs, renewed enthusiasm for your work, gratitude to your audience, stock footage of the Malibu place...”
― Mona Lisa Overdrive
“Really, my artiste, you amaze me. The lengths you will go to in order to accomplish your own destruction. The redundancy of it! In Night City, you had it, in the palm of your hand! The speed to eat your sense away, drink to keep it all so fluid, Linda for a sweeter sorrow, and the street to hold the axe. How far you’ve come, to do it now, and what grotesque props. . . . Playgrounds hung in space, castles hermetically sealed, the rarest rots of old Europa, dead men sealed in little boxes, magic out of China. . . .”
― Neuromancer
― Neuromancer
“Motive," the construct said. "Real motive problem, with an AI. Not human, see?" "Well, yeah, obviously."
"Nope. I mean, it's not human. And you can't get a handle on it. Me, I'm not human either, but I respond like one. See?" "Wait a sec," Case said. "Are you sentient, or not?"
Well, it feels like I am, kid, but I'm really just a bunch of
ROM. It's one of them, ah, philosophical questions, I guess...."
The ugly laughter sensation rattled down Case's spine. "But I ain't likely to write you no poem, if you follow me. Your AI, it just might. But it ain't no way human.”
― Neuromancer
"Nope. I mean, it's not human. And you can't get a handle on it. Me, I'm not human either, but I respond like one. See?" "Wait a sec," Case said. "Are you sentient, or not?"
Well, it feels like I am, kid, but I'm really just a bunch of
ROM. It's one of them, ah, philosophical questions, I guess...."
The ugly laughter sensation rattled down Case's spine. "But I ain't likely to write you no poem, if you follow me. Your AI, it just might. But it ain't no way human.”
― Neuromancer
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