Antoine Avey

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Marion Zimmer Bradley
“«Isarma!» mormorò lei. «Aiutami, e aiuta il bambino!» E come un eco si udirono quindi altre parole: «Possa il frutto della nostra vita essere vincolato a te con sigillo, o Madre, o Donna Eterna, che tieni la vita interiore di ciascuna tua figlia nelle mani posate sul suo cuore...» Nel contemplare il volto pallidissimo che aveva davanti, Viviana comprese che anche Ana aveva sentito quelle parole, e per un momento entrambe cessarono di essere madre e figlia per essere soltanto due donne, sorelle vincolate l'una all'altra e alla Grande Madre di vita fin da prima che i Saggi giungessero dal mare.”
Marion Zimmer Bradley, Lady of Avalon

Gregory Maguire
“In order to remember who you are, you have to have known it in the first place.”
Gregory Maguire, After Alice

Jerry Spinelli
“He was the Grand Marshall of our Everyday Parade”
Jerry Spinelli, Stargirl

Laura Ingalls Wilder
“She thought to herself, "This is now." She was glad that the cozy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.”
Laura Ingalls Wilder, Little House in the Big Woods

K.  Ritz
“I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward. 
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
He, of course, replied, “No.”
“Well, we’re going to a better place.”
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.”
“Are you afraid of ghosts?” I asked.
“My father’s a ghost,” he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined. 
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?” Malison prompted, as if to echo my prayer.”
K. Ritz, Sheever's Journal, Diary of a Poison Master

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