Priyanka Desai

“People say of me, 'She's peculiar.' They do not understand me. If they did they would say so oftener and with emphasis.”
― Mary MacLane, The Story of Mary Maclane

“Maybe...you'll fall in love with me all over again."
"Hell," I said, "I love you enough now. What do you want to do? Ruin me?"
"Yes. I want to ruin you."
"Good," I said. "That's what I want too.”
― Ernest Hemingway, A Farewell to Arms

“At the top of the mountain we are all snow leopards.”
― Hunter S. Thompson, Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century

“The exchangeability that is expressed in money must inevitably have repercussions upon the quality of commodities themselves, or must interact
with it. The disparagement of the interest in the individuality of a
commodity leads to a disparagement of
individuality itself. If the two sides
to a commodity are its quality and it
s price, then it seems logically
impossible for the interest to be focused on only one of these sides: for
cheapness is an empty word if it does not imply a low price for a relative
good quality, and good quality is
an economic attraction only for a
correspondingly fair price. And yet this conceptual impossibility is psychologically real and effective.
The interest in the one side can be so
great that its logically necessary counterpart completely disappears. The
typical instance of one of these case
s is the ‘fifty cents bazaar’. The
principle of valuation in the mode
rn money economy finds its clearest
expression here. It is not the commodity
that is the centre of interest here
but the price—a principle that in former times not only would have appeared shameless but would have been
absolutely impossible. It has been
rightly pointed out that the medieval town, despite all the progress it
embodied, still lacked the extensive
capital economy, and that this was the
reason for seeking the ideal of the economy not so much in the expansion
(which is possibly only through cheapness) but rather in the quality of the goods offered; hence the great contributions of the applied arts, the
rigorous control of production, the
strict policing of basic necessities, etc.
Such is one extreme pole of the
series, whose other pole is characterized by the slogan, ‘cheap and bad’—a synthesis that is possibly only if we are hypnotized by cheapness and are not aware of anything else. The levelling of objects to that of money reduces the subjective interest first in their specific qualities and then, as a further consequence, in the objects
themselves. The production of cheap
trash is, as it were, the vengeance of
the objects for the fact that they have been ousted from the focal point of
interest by a merely indifferent means.”
― Georg Simmel, The Philosophy of Money