Felipe Troncoso

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See all 4 books that Felipe is reading…
Book cover for How Everything Became War and the Military Became Everything: Tales from the Pentagon
“If your only tool is a hammer, everything looks like a nail.” The old adage applies here as well. If your only functioning government institution is the military, everything looks like a war—and when everything looks like war, everything ...more
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“You see, the problem is that people, particularly people who write, assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I even remember the words, actually, let alone think that those are the centre of the meaning. For me, music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones of those, or point up certain others that aren’t really in there, or aren’t worth saying, or something.’*”
David Sheppard, On Some Faraway Beach: The Life and Times of Brian Eno

Matthew Desmond
“The time and emotional energy they spent making rent, delaying eviction, or finding another place to live when homeless could instead be spent on things that enriched their lives: community college classes, exercise, finding a good job, maybe a good man too. But our current state of affairs “reduces to poverty people born for better things.”
Matthew Desmond, Evicted: Poverty and Profit in the American City

“A few intermittent pounds were hardly enough, however, and – reluctantly – the comrades soon found themselves looking for jobs. It was the first and last time Eno would be driven to this unconscionable extreme. Eschewing his more outrageous garments and armed with his diploma, he wandered into the Camberwell Labour Exchange in the late summer and found himself a placement as an assistant paste-up artist with a local advertising free-sheet called the South Londoner. As he confessed to Lester Bangs, Eno took to the work surprisingly easily: ‘I didn’t hate it. I became very successful at it. I started off at the bottom, doing a very menial job, and in the four months I was there I got promoted again and again and again, and I ended up earning four or five times as much as I’d started with, and sort of running the office. And then I realized that I could carry on doing that and never do anything else, because I wasn’t doing anything else.’ The ‘anything else’ Eno was failing to do was music: ‘I kept saying to myself, “Oh well, I’ll do some music this weekend”, and then I wouldn’t, I’d be too tired and I’d say, “Oh, I’ll do it next weekend”, and then I wouldn’t do it, so I just gave it up after a while. It was exactly what I knew a job would be like – not horrible enough to make you want to get out, just well paying enough to make you comfortable and to keep putting things off.”
David Sheppard, On Some Faraway Beach: The Life and Times of Brian Eno

“as soon as anything even remotely one percent promising starts to happen, you really jump on it with great enthusiasm and build on it quickly.”
David Sheppard, On Some Faraway Beach: The Life and Times of Brian Eno

“One of the things that happens when you’re going through traumatic life situations is your work becomes one of the only places where you can escape and take control. I think it’s in that sense that “tortured” souls sometimes produce great work.”
David Sheppard, On Some Faraway Beach: The Life and Times of Brian Eno

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