Sean Cureton

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Don DeLillo
“We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book.

"No one sees the barn," he said finally.

A long silence followed.

"Once you've seen the signs about the barn, it becomes impossible to see the barn."

He fell silent once more. People with cameras left the elevated site, replaced by others.

We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies."

There was an extended silence. The man in the booth sold postcards and slides.

"Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."

Another silence ensued.

"They are taking pictures of taking pictures," he said.”
Don DeLillo, White Noise

D.T. Max
“Grammar, he saw, was agreement, community, consensus.”
D.T. Max, Every Love Story Is a Ghost Story: A Life of David Foster Wallace

Chad Kultgen
“One night, Tim stumbled across a documentary called Manufacturing Consent. After viewing it, he found some writing online by its subject, Noam Chomsky, and as a result began to feel that there wasn't really a point to anything, that free will was an illusion, and that the things most people invested time and energy in were systems of control designed by those who sought to manipulate the general populace”
Chad Kultgen, Men, Women, and Children

Jonathan Franzen
“Every writer is first a member of a community of readers, and the deepest purpose of reading and writing fiction is to sustain a sense of connectedness, to resist existential loneliness; and so a novel deserves a reader’s attention only as long as the author sustains the reader’s trust.”
Jonathan Franzen, How to Be Alone: Essays

year in books
Schyler
952 books | 154 friends

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162 books | 97 friends

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752 books | 190 friends

Sean Fa...
1,938 books | 193 friends

Canon D...
131 books | 70 friends

Mika
386 books | 143 friends

Lara
225 books | 96 friends

Jason Ooi
145 books | 130 friends

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