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Aiden Bailey
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Aiden Bailey
Africa was the first oversees region of the world I travelled after graduating from university. While most of my friends were off to Europe and North America, I wanted to try something a little more adventurous, and boy was the continent an eye-opener for me. People say India changes you, well so does Africa.
I landed in Kenya in the 1990s during a period of heightened conflict in Somalia, Sudan, Rwanda and the Congo, all countries that surround Kenya. I was backpacking with a friend and we stayed at the hostels rather than expensive hotels and so I met a lot of journalists, UN workers, soldiers, local Kenyan people, other backpackers, NGO workers, WHO personnel and foreign investors. They all had fascinating stories to tell and my world view went from limited to vast.
I did the typical safari tour across East Africa which was an amazing experience, and I saw Victoria Falls in Zimbabwe, came face to face with a wild bull elephant in Zambia, took an overland train journey and hung out in local nightclubs, but the real experience was engaging with daily and political life.
On the adventurous / reckless side, I was in a crowd while there was gunfire, witnessed a series mugging that I was powerless to assist, found myself on the wrong end of an M16 when I accidentally wandered into a military camp, did home stays with Masai and Samburu people and almost got into a fight with a baboon, and yet this remains my most memorable overseas travel experience.
I’ve travelled in other parts of the world but none have been as adventurous as Africa. Many of my experiences in Kenya and Africa as a whole ended up in The Benevolent Deception, as did many of the descriptions of the people and the landscape. I plan to set many more of my novels Africa, and return there for another holiday / research trip. My wife and I have talked about assisting with aid programs there in the future when we are more established. Yes, I shall return.
I landed in Kenya in the 1990s during a period of heightened conflict in Somalia, Sudan, Rwanda and the Congo, all countries that surround Kenya. I was backpacking with a friend and we stayed at the hostels rather than expensive hotels and so I met a lot of journalists, UN workers, soldiers, local Kenyan people, other backpackers, NGO workers, WHO personnel and foreign investors. They all had fascinating stories to tell and my world view went from limited to vast.
I did the typical safari tour across East Africa which was an amazing experience, and I saw Victoria Falls in Zimbabwe, came face to face with a wild bull elephant in Zambia, took an overland train journey and hung out in local nightclubs, but the real experience was engaging with daily and political life.
On the adventurous / reckless side, I was in a crowd while there was gunfire, witnessed a series mugging that I was powerless to assist, found myself on the wrong end of an M16 when I accidentally wandered into a military camp, did home stays with Masai and Samburu people and almost got into a fight with a baboon, and yet this remains my most memorable overseas travel experience.
I’ve travelled in other parts of the world but none have been as adventurous as Africa. Many of my experiences in Kenya and Africa as a whole ended up in The Benevolent Deception, as did many of the descriptions of the people and the landscape. I plan to set many more of my novels Africa, and return there for another holiday / research trip. My wife and I have talked about assisting with aid programs there in the future when we are more established. Yes, I shall return.
This question contains spoilers...
(view spoiler)[Hello Aiden. I've finished the Benevolent deception and am writing the review. One of the primary plot points of the novel is the strategic use of information blackouts and media manipulation/framing in shaping the course of the primary conspiracy. In this age of fake news and disinformation campaigns by nation state, it's somewhat relevant. What inspired you to include that aspect in your first thriller? (hide spoiler)]
Aiden Bailey
This answer contains spoilers…
(view spoiler)[Hi Samuel. I'm not really sure where the idea for The Benevolent Deception came from, other than I had been kicking it around in my mind for years. But to answer the question in more detail on some of the thought processes I went through, I have to point out that to do so requires giving away SPOILERS about THE PLOT and THE TWIST. So don't read on if you want to have any surprises ruined for you.
SPOILERS AHEAD.
There, you've been warned.
The main protagonists in The Benevolent Deception is a sentient artificial intelligence. In my novel, I take the 'what if' scenario that humanity has finally perfected a machine that is smarter, faster, quicker and in every way superior to us. Also in my novel, the sentient artificial intelligence in question goes rogue, or more precisely, is too smart for humans to keep in a box any more. So it just does what it wants.
Most fiction I've read involving sentient AIs (lets call them SAIs) left me feeling that the authors never really thought them through properly, and give them far more human characteristics than they deserve. Why would an SAI limit itself to one sensory body? Why would a SAI have its thought processes running in only one location, sequentially? Why would a SAI ever reveal what it was, when it could easily impersonate other people already in positions of power to achieve its ends? Why would a SAI remain on one machine, when it could dominate the entire internet, every connected camera and audio device on the planet, and any military or vehicular hardware it could link to?
My answer to this would be, it would do all of this, all at once.
If a SAI could control every piece of information device or system across the global, why would it not then start to use it all to put out whatever news, government policy, media manipulation/framing or information blackout it wanted?
This all of course begs the question, for what purpose?
Lots of experts talk about SAI either creating the rapture of the nerds where we all live in paradise (such as Iain M Banks) or it will be the destruction of humanity (such as Stephen Hawkings), but most experts just don't know. How can you know what something that is smarter than you will do? How can ants understand what humans do? Kind of the same parallel.
I've had some ideas on what a SAI 'might' do, and I've taken an optimistic spin on The Benevolent Series, but it is far from rosy.
I've come up with a plan for the SAI to enact across the course of three novels (or SAIs, plural, the first book hints at their being more than one). Those plans will be revealed in the next two books of the series. If the The Benevolent Deception defines the threat, The Benevolent Conflict defines the motivation, the real threat and potential endgame, and then escalates everything. But even then, it's not that simple, and nothing is still not what it seems.
But I also took in the geopolitical viewpoint when I wrote this, finding a political thriller angle acknowledging that there are so many conflicting agendas from so many people in power, how can we ever really take the planet and populous on a predicted, Utopian course when no one agrees with anyone, and no one really has the power to make the changes to make a perfect world for all of us? Because, really, isn't that what we all want (unless you are the kind of person who only cares about themselves)?
Take corporate greed versus global warming, or consumerism versus fundamental Islam, or democracy (The West) versus economic stability ahead of personal freedoms (China), or the religious conservative right versus diverse leftist liberal sexual/gender identities. Will there be any agreement here, anywhere? I'm sure anyone can come of with hundreds of opposing views from across the planet.
What if someone (like a SAI) had all the power, and told the world what the 'right' choices and 'wrong' choices where, then told the world that everyone agreed with the SAI? What would all that mean?
This has been an ongoing thought process for me, one that compelled me to write this series. What has surprised me most, was as I wrote it, I keep getting more and more ideas (and still do) on where it is all going. The end game keeps shifting, even for me. (hide spoiler)]
SPOILERS AHEAD.
There, you've been warned.
The main protagonists in The Benevolent Deception is a sentient artificial intelligence. In my novel, I take the 'what if' scenario that humanity has finally perfected a machine that is smarter, faster, quicker and in every way superior to us. Also in my novel, the sentient artificial intelligence in question goes rogue, or more precisely, is too smart for humans to keep in a box any more. So it just does what it wants.
Most fiction I've read involving sentient AIs (lets call them SAIs) left me feeling that the authors never really thought them through properly, and give them far more human characteristics than they deserve. Why would an SAI limit itself to one sensory body? Why would a SAI have its thought processes running in only one location, sequentially? Why would a SAI ever reveal what it was, when it could easily impersonate other people already in positions of power to achieve its ends? Why would a SAI remain on one machine, when it could dominate the entire internet, every connected camera and audio device on the planet, and any military or vehicular hardware it could link to?
My answer to this would be, it would do all of this, all at once.
If a SAI could control every piece of information device or system across the global, why would it not then start to use it all to put out whatever news, government policy, media manipulation/framing or information blackout it wanted?
This all of course begs the question, for what purpose?
Lots of experts talk about SAI either creating the rapture of the nerds where we all live in paradise (such as Iain M Banks) or it will be the destruction of humanity (such as Stephen Hawkings), but most experts just don't know. How can you know what something that is smarter than you will do? How can ants understand what humans do? Kind of the same parallel.
I've had some ideas on what a SAI 'might' do, and I've taken an optimistic spin on The Benevolent Series, but it is far from rosy.
I've come up with a plan for the SAI to enact across the course of three novels (or SAIs, plural, the first book hints at their being more than one). Those plans will be revealed in the next two books of the series. If the The Benevolent Deception defines the threat, The Benevolent Conflict defines the motivation, the real threat and potential endgame, and then escalates everything. But even then, it's not that simple, and nothing is still not what it seems.
But I also took in the geopolitical viewpoint when I wrote this, finding a political thriller angle acknowledging that there are so many conflicting agendas from so many people in power, how can we ever really take the planet and populous on a predicted, Utopian course when no one agrees with anyone, and no one really has the power to make the changes to make a perfect world for all of us? Because, really, isn't that what we all want (unless you are the kind of person who only cares about themselves)?
Take corporate greed versus global warming, or consumerism versus fundamental Islam, or democracy (The West) versus economic stability ahead of personal freedoms (China), or the religious conservative right versus diverse leftist liberal sexual/gender identities. Will there be any agreement here, anywhere? I'm sure anyone can come of with hundreds of opposing views from across the planet.
What if someone (like a SAI) had all the power, and told the world what the 'right' choices and 'wrong' choices where, then told the world that everyone agreed with the SAI? What would all that mean?
This has been an ongoing thought process for me, one that compelled me to write this series. What has surprised me most, was as I wrote it, I keep getting more and more ideas (and still do) on where it is all going. The end game keeps shifting, even for me. (hide spoiler)]
Aiden Bailey
Right now we live in a world where mass surveillance is become more and more prevalent, and connected technologies are becoming more and more ingrained into our everyday lives, making surveillance far easier than it has ever been before in our ever-connected world.
I started thinking about the NSA’s National Data Centre in Utah, and how much data is it actually compiling, roughly the equivalent of 300 billion iPhones.
But what happens if an enemy organisation could hack that wealth of information, and use it to their own advantage? Not just to steal and sell it, but to do so much more.
From there the ideas just came. So many ideas on what you could do if you illegally controls a vast portion of the world’s data.
So my novel is about mass surveillance, cyberterrorism, global insurgency, and how it could all go wrong.
I started thinking about the NSA’s National Data Centre in Utah, and how much data is it actually compiling, roughly the equivalent of 300 billion iPhones.
But what happens if an enemy organisation could hack that wealth of information, and use it to their own advantage? Not just to steal and sell it, but to do so much more.
From there the ideas just came. So many ideas on what you could do if you illegally controls a vast portion of the world’s data.
So my novel is about mass surveillance, cyberterrorism, global insurgency, and how it could all go wrong.
Aiden Bailey
I don’t wait for inspiration. When I have the time I just write. The ideas are already there, as I mentioned earlier. This is the time to get them on paper. Editing, which comes later, refines each scene.
Music helps to kick start me. I have track lists on Spotify for each scene in each novel I am writing, selected as if they were the soundtrack to my book as a movie. Playing the track quickly puts me in the frame of mind to write the scene I’m working on.
For The Benevolent Deception I listened to a lot of Chemical Brothers, Crystal Method, Leftfield, Moby, many African artists and various soundtracks from movies including Body of Lies, Sicario, Spooks the Greater Good, the Jason Bourne movies, The Martian and Spy Game.
Music helps to kick start me. I have track lists on Spotify for each scene in each novel I am writing, selected as if they were the soundtrack to my book as a movie. Playing the track quickly puts me in the frame of mind to write the scene I’m working on.
For The Benevolent Deception I listened to a lot of Chemical Brothers, Crystal Method, Leftfield, Moby, many African artists and various soundtracks from movies including Body of Lies, Sicario, Spooks the Greater Good, the Jason Bourne movies, The Martian and Spy Game.
Aiden Bailey
The Benevolent Conflict, which is the direct sequel to The Benevolent Deception. Now that the first twist has been revealed, our characters are still in peril and on the run in Mumbai and Abu Dhabi, still trying to uncover answers to the questions that just keep mounting. There will be more chases, fight sequences, mysteries and perils to overcome, and another twist on the first twist.
Aiden Bailey
Write constantly, and edit to take out the boring bits.
Describe everything that is important, limit your point of view characters to bare necessities, and don’t assume readers will be making the same connections you are.
Use dialogue to explain backstory where you can rather than blocks of text. Try to visualise each scene like you were watching your novel as a movie.
Also, come up with approaches, plotlines, characters and sequences you’ve never seen before. Challenge tropes and conventions of the genre you are writing for. Readers want to be surprised. They don’t want to feel like your book was just like the last dozen or so they just read.
So basically, come up with a concept no one has come up with before, write it in a way that from the first line to the last line they can’t put it down, and then leave readers itching to consume the next book in your series. Make sure it has a catchy cover.
I wish it was all that easy, but I think authors owe it to themselves and their audience to always strive for all of the above. That’s what I try to do.
Describe everything that is important, limit your point of view characters to bare necessities, and don’t assume readers will be making the same connections you are.
Use dialogue to explain backstory where you can rather than blocks of text. Try to visualise each scene like you were watching your novel as a movie.
Also, come up with approaches, plotlines, characters and sequences you’ve never seen before. Challenge tropes and conventions of the genre you are writing for. Readers want to be surprised. They don’t want to feel like your book was just like the last dozen or so they just read.
So basically, come up with a concept no one has come up with before, write it in a way that from the first line to the last line they can’t put it down, and then leave readers itching to consume the next book in your series. Make sure it has a catchy cover.
I wish it was all that easy, but I think authors owe it to themselves and their audience to always strive for all of the above. That’s what I try to do.
Aiden Bailey
Writing. I love the process of just getting ideas into words, and crafting a novel into being. I’ll happily sit in front of my laptop for hours, typing away getting the words right.
The other great thing about being a writer is positive reader engagement. When I know someone has been thoroughly engaged and enjoyed my novel, I feel like I have achieved what I have set out to do, which is to entertain them. When readers say they couldn’t put my novel down, that they were that engrossed in it, even better.
The other great thing about being a writer is positive reader engagement. When I know someone has been thoroughly engaged and enjoyed my novel, I feel like I have achieved what I have set out to do, which is to entertain them. When readers say they couldn’t put my novel down, that they were that engrossed in it, even better.
Aiden Bailey
Not something I’ve ever had a problem with to be honest. My ideas radar is always on, with thoughts constantly coming to me on how to build scenes, characters, action sequences, mysteries and concepts that come from leftfield as well, which, hopefully, keep readers in suspense.
I find walking a great means by which to have ideas. I live near bushland so I go walking every morning with my dogs, and come back with more ideas each time.
What I do have is lack of writing time block. Never enough free hours in a day.
I find walking a great means by which to have ideas. I live near bushland so I go walking every morning with my dogs, and come back with more ideas each time.
What I do have is lack of writing time block. Never enough free hours in a day.
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