Ask the Author: Christina Clarry
Answered Questions (4)
Christina Clarry
The dreaded Dream Catcher held me in her icy grip as I struggled frantically to escape. From dizzy heights, we plummeted headlong towards the ground, and I knew with sickening certainty that I would not wake up.
Christina Clarry
Considering how long I spent creating the fantasy world for The Great Wizard Wars, I would love to go there and physically experience it ... in its modern day setting of Obscura.
As this community is continuing to be under threat from Mortor and his followers, I would set up a covert group to track down and infiltrate any Dark Army that attempted to rise up again. Part of my group would be the mind reading dragon, Fango, his friend, Gnashers, and the other members of the Feisty Five.
As this community is continuing to be under threat from Mortor and his followers, I would set up a covert group to track down and infiltrate any Dark Army that attempted to rise up again. Part of my group would be the mind reading dragon, Fango, his friend, Gnashers, and the other members of the Feisty Five.
Christina Clarry
Seventeen years ago, I moved into a large farmhouse with items left abandoned in the attic which the previous owner considered to be junk.
Amongst the cobwebs and layers of dust there was a portrait of a woman. The frame was ancient and crumbling. The canvas was mounted on wood and the oil painting was dry and cracked. The face that appeared when the dust was blown off was not of a beauty by today's standards but could be considered handsome. Her dress appeared to be in the style of the 1800s. But the most dramatic and curious thing was the bullet hole that had pierced her forehead and exited through the back of the wooden mount.
There was no artist's signature. The only chance of an identification was a yellowed torn scrap of paper that was peeling off the back, but it had faded with time.
This discovery of an unknown woman, once loved enough to have had a portrait painted and then consigned to the scrap heap lends itself to a novel of intrigue.
Amongst the cobwebs and layers of dust there was a portrait of a woman. The frame was ancient and crumbling. The canvas was mounted on wood and the oil painting was dry and cracked. The face that appeared when the dust was blown off was not of a beauty by today's standards but could be considered handsome. Her dress appeared to be in the style of the 1800s. But the most dramatic and curious thing was the bullet hole that had pierced her forehead and exited through the back of the wooden mount.
There was no artist's signature. The only chance of an identification was a yellowed torn scrap of paper that was peeling off the back, but it had faded with time.
This discovery of an unknown woman, once loved enough to have had a portrait painted and then consigned to the scrap heap lends itself to a novel of intrigue.
Christina Clarry
I have two works in progress:
1) The sequel to The Great Wizard Wars which will be illustrated this time.
2) An illustrated children's book for younger children aged 4 to 6 which is based on rhyming couplets. The storyline is a condensed version of The Great Wizard Wars aimed at amusing children by lampooning the not-so-good wizards and witches!
1) The sequel to The Great Wizard Wars which will be illustrated this time.
2) An illustrated children's book for younger children aged 4 to 6 which is based on rhyming couplets. The storyline is a condensed version of The Great Wizard Wars aimed at amusing children by lampooning the not-so-good wizards and witches!
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