Ask the Author: Sandy Hanna
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Sandy Hanna
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Sandy Hanna
This answer contains spoilers…
(view spoiler)[When my father, the Colonel, was in his eighties, he slid a weathered dog-eared folder across the kitchen table to me. My military family had lived in Saigon, Vietnam, between 1960 and 1962. I had been a ten to twelve-year-old kid at that time. He asked me if I remembered his Vietnamese counterpart, Colonel Le Van Sam. I said I did, vividly, as I did my entire time there. Inside the folder was an expose that Sam had given him outing the corruption, scandal, and plans of the ruling Diem regime that the Americans had no knowledge of. His wife was a cousin of the infamous Madame Nhu, the Dragon Woman, and an event she witnessed had caused him to write the piece, fearing for his family’s safety. The Colonel told me it was time to write about Sam’s story, one that would be compelling, one that would provide access to everyone about what went on in Vietnam that led to the unfortunate Vietnam War. He said that in not understanding those early years we were destined to repeat the Vietnam debacle, and were in fact doing so in the Middle East. I wrote ‘The Ignorance of Bliss: An American Kid in Saigon’ in a response to my father’s request, but I wrote it from a child’s vantage point to make it accessible to everyone. Unfortunately, my father died before he had a chance to read it. (hide spoiler)]
Sandy Hanna
A screenplay for my book, “The Ignorance of Bliss: An American Kid in Saigon.” I am an artist and therefore very visually oriented. I wrote the book with the idea that it would translate well to the screen and hope to have it make that leap.
Sandy Hanna
Don’t worry if you’ve never written anything or don’t think of yourself as a writer. I write what visually appears to me. I want the reader to see what I see; the words are simply the vehicle to achieve that goal. Write for yourself first. If you try to write for someone else it will be a disaster because the work won’t be true to you.
Sandy Hanna
I’m a painter, so if I feel blocked, I try to paint what I’m thinking about. This often leads me places I hadn’t imagined or thought about. It gives me a visual springboard from which to find the words. Other than that, I eves-drop peoples’ conversations, observing actions and interactions. This also helps to give me some ideas.
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