Ask the Author: Stephanie Wrobel
“Hi there! Feel free to ask me anything about my books, writing or reading.”
Stephanie Wrobel
Answered Questions (12)
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(view spoiler)[Hi Stephanie, I enjoyed This Might Hurt so much, I read it in one sitting! The end seems to allude to two possible outcomes. Kit is with Nat but going through the principles about fear and how it controls people, but also realises how much Nat selflessly did for her. Does Kit see Nat as her rescuer so they escape together, or as a threat to the wisewood she's built so takes Kit on the boat to get rid of her? (hide spoiler)]
Stephanie Wrobel
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(view spoiler)[Thanks, Kimberleigh—I'm thrilled to hear that! I purposely left the ending up to the reader's interpretation, but I like to imagine the bond between the sisters is strong enough that Kit drops Natalie off on the mainland in one piece. Kit then goes back to Wisewood to run the program in Teacher's absence. The fact that Kit *considers* hurting her own sister is meant to illustrate just how strong the pull of Wisewood is. Hope that helps! (hide spoiler)]
This question contains spoilers...
(view spoiler)[Who is Rebecca? i am so confused it has spoilt the end of the book for me. I hoped it would come clear when I finished the book. I cannot get my head round who Rebecca is. She obviously did all the ‘fearless’ trials. But they came under the chapters assigned to Kit , in the first person, so I assumed it was Kit who did them. Help! Sue Vyner. Minehead. England. (hide spoiler)]
Stephanie Wrobel
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(view spoiler)[The book has three narrators, two of whom are sisters Natalie and Kit Collins. The third unnamed narrator (who we meet as a child) is Rebecca. As a young woman, her stage name is Madame Fearless. She then goes on to found Wisewood, where her acolytes refer to her as Teacher. Jack is Rebecca's sister, a minor character in the story. (hide spoiler)]
Stephanie Wrobel
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(view spoiler)[Hi Radhika—thanks very much for your kind words. I'm thrilled you enjoyed This Might Hurt. Rebecca's ending is a tragic one; she suffers the symptoms of hypothermia and subsequently drowns in Penobscot Bay while trying to swim back to her beloved Wisewood. (hide spoiler)]
Stephanie Wrobel
Thanks Kristine! Cara Rose Gold is the Italian translation of Darling Rose Gold.
Stephanie Wrobel
Hmm, great question, Mariia. Once I began receiving offers of representation from literary agents, that was the first time I felt like a "real" writer. Each step of the way since then has helped me gain confidence, though there are still plenty of days—when the writing sucks, when I can't come up with ideas, etc.—that I feel like an imposter!
Stephanie Wrobel
Thanks for your question, Brandi. I agree that the narrators did an incredible job of bringing these characters to life! And I hate to disappoint, but there will not be a sequel, so readers will have to decide for themselves where Patty and Rose Gold end up. The Recovery of Rose Gold is the UK title for the same book.
Stephanie Wrobel
¡Hola! Spanish rights for Rose Gold have not yet been bought, but hopefully it'll be translated in the future. Thanks for writing!
Stephanie Wrobel
1- Make a plan. It can be as broad or detailed as you want, but if you have some kind of story roadmap, the writing itself becomes less daunting.
2- Get feedback from experienced, objective sources—not a relative or friend.
3- Do your homework when it comes to trying to get published. Take the time to do things right. All the information you need is readily available online.
2- Get feedback from experienced, objective sources—not a relative or friend.
3- Do your homework when it comes to trying to get published. Take the time to do things right. All the information you need is readily available online.
Stephanie Wrobel
Just one?! Then I have to pick the actual act of writing. On the best writing days, I'm not making a lot of active decisions; instead, my fingers are just a conduit between my brain and the keyboard/page. Several hours can go by without me noticing. Coming out of that state of flow feels, to me, like waking up from a really deep nap.
Research has to be a close second though. I love obsessing over a topic and learning everything I can about it.
Research has to be a close second though. I love obsessing over a topic and learning everything I can about it.
Stephanie Wrobel
By planning before I ever sit down to write. I start macro (how does it start? how does it end? what happens in between?) and then get more and more granular, until I have at least a one-sentence summary for each chapter. If I know what's going to happen next, nothing blocks me.
I also give myself permission to write poorly without judgment, especially in the first draft. I think writer's block is just a fear of being bad, but you can always improve what you have. It's a lot easier to make something that's just okay good than it is to perfect a story that only exists in your head. Less pressure, more fun!
I also give myself permission to write poorly without judgment, especially in the first draft. I think writer's block is just a fear of being bad, but you can always improve what you have. It's a lot easier to make something that's just okay good than it is to perfect a story that only exists in your head. Less pressure, more fun!
Stephanie Wrobel
I'm afraid I don't have a particularly magical answer here. For me, writing is more about routine than inspiration. If I waited to feel inspired, I would never finish a book! Instead, before starting a new project, I set a realistic goal for myself. For book 2, it was 2000 words per day. That way I've removed any decision-making angst. I can always write more, but I won't let myself quit for the day until I get to my goal number. After the first ten or fifteen minutes of feeling what I'm writing is garbage, I get lost in the story, my fingers start to fly, and suddenly three hours have gone by.
Stephanie Wrobel
I learned about Munchausen syndrome by proxy from my best friend, who is a school psychologist and has experience with the syndrome through her work with kids. The more research I did, the more fascinated I became.
I was surprised to learn that the perpetrators of MSBP are usually mothers, since women commit far fewer violent crimes than men. The mother-child relationship is supposed to be sacred, but here it isn’t. The perpetrators’ motivation also surprised me—they act out of a need for attention or love from authority figures within the medical community. Many health professionals consider MSBP incurable, as offenders typically deny any wrongdoing. All of these discoveries simultaneously intrigued me and broke my heart. Most of all, they made me want to walk around inside one of these mothers’ minds.
I was surprised to learn that the perpetrators of MSBP are usually mothers, since women commit far fewer violent crimes than men. The mother-child relationship is supposed to be sacred, but here it isn’t. The perpetrators’ motivation also surprised me—they act out of a need for attention or love from authority figures within the medical community. Many health professionals consider MSBP incurable, as offenders typically deny any wrongdoing. All of these discoveries simultaneously intrigued me and broke my heart. Most of all, they made me want to walk around inside one of these mothers’ minds.
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