Ask the Author: Lisa Medved

“Ask me a question.” Lisa Medved

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Lisa Medved Writing is a solitary pursuit, so it’s crucial to have a support network of like-minded people who you trust will provide honest feedback and much-needed encouragement.
Reading widely across all genres and styles can provide you with inspiration and the impetus to continue developing your own writing. Reading fiction and non-fiction can be comforting, inspiring and provoking; it exercises your brain in the same way walking and yoga exercises your muscles; it introduces you to new concepts, broadens your perspective, encourages you to consider your views on certain issues.
Improve your writing techniques and skills by participating in online or face-to-face writing courses, or being an active participant of a writers' group. Giving feedback to other writers' work (when they ask for it) is a fantastic way for you to improve your own writing skills.
Lisa Medved Fin-de-siècle Vienna and post-WWI London are fascinating eras which are the dual-timeline settings for my second novel, which I'm currently writing. Weaving a story around the art, life and times of Symbolist painter Gustav Klimt, the story focuses on two women with a linked past, both searching for where they belong in the turbulent decades of the early twentieth century.
Lisa Medved The inspiration for my writing comes from everywhere – from ordinary and also extraordinary people, places and objects. Travelling, visiting museums, reading history, talking to people, watching movies, researching about a particular person, place or object. Often a simple phrase or object will spark an idea and my mind goes off on a convoluted tangent. Inspiration!
Lisa Medved The idea for 'The Engraver’s Secret' came when I was in Antwerp, visiting the Rubenshuis, the former home of the Baroque painter Peter Paul Rubens. An engraving by his chief engraver, Lucas Vorsterman, was on display alongside a brief description, which suggested the two men were close then had a falling out. Intrigued, I did some research and came upon a little-known story about a disagreement over who owned the original copper engraving plates and who had the right to reproduce the images. Intellectual property wasn’t widely considered in the early seventeenth century. I began dreaming up a story of hidden treasures remaining undiscovered for four hundred years until an art academic stumbles on a clue for their whereabouts.

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