John Hooper > Quotes

“Just as Don Quixote, whose preposterous idealism and touchy pride immediately struck a chord with the Spanish, so Pinocchio speaks to Italians in a very special way as a caricature of many of their national virtues and vices.”
― John Hooper, The Italians

“The essence of dietrologia is that it dismisses the notion that anyone could act purely for reasons of moral conviction.”
― John Hooper, The Italians

“I have sometimes reflected that the last part of that comment—“The real truth will remain unresolved, and may even be different”—deserves to be carved in marble on a suitable monument that could then be erected in the center of Rome.”
― John Hooper, The Italians

“Suddenly, Pinocchio's identity as a puppet takes on the power of metaphor. Until now, it has been possible to think of him more or less as a naughty little boy. But now his being a marionette becomes central to the story - and to the message, of the importance of education, that Collodi is using the story to convey. If you don't study and make a contribution to society, you will forever remain a puppet. You will never grow. And, as the story goes on to relate, your life will be blighted.”
― John Hooper, Pinocchio

“The point at which Pinocchio goes from being a child to an adult. He is no longer someone in need of protection, but rather a protector. What follows casts his earlier misadventures in a comparatively positive light, because they have given him the resources and the courage to deal with a perilous situation. Collodi was a strong believer in the value of the "university of life" - of acting according to one's own judgement and learning from one's own mistakes. In a note found among his papers... he wrote:

"The best practical education that a boy can have is what he learns by himself... It cannot be learned from books."

But while Pinocchio is now brave and capable of making important decisions, he still needs to acquire an education in order to become a fully rounded human being.”
― John Hooper, Pinocchio

“the notion of objective truth is something that in Italy often causes unease.”
― John Hooper, The Italians

“Ideological ambiguity has been a hallmark of Italian politics since the foundation of the republic in 1946.”
― John Hooper, The Italians

“Italian has fewer words in common with Sardinian than it does with French. And the two languages look very different when written down. For example, the Italian proverb Il sangue non è acqua (the equivalent of “Blood is thicker than water”) in Sardu becomes Su sambene no est abba. The overwhelming majority of Sardinians—about a million people—speak Sardu, which has three dialects of its own.”
― John Hooper, The Italians

“I don’t know about you, but the reason I left my parents was because I wanted the freedom to sleep with girls. My sons have that – and they still have their mother to wash their clothes and cook their meals. No wonder they don’t want to go!”
― John Hooper, The New Spaniards

“Catholicism makes greater allowance than Protestantism for human frailty, and it has doubtless contributed toward much that is commendable in Italy: compassion, a reluctance to judge and a readiness to forgive—all themes that will recur in later chapters of this book.”
― John Hooper, The Italians

“Campania is Italy’s poorest region and in many respects its saddest.”
― John Hooper, The Italians

“It is often said that the Germans have never recovered from the Thirty Years’ War in the seventeenth century, that the brutality of that momentous clash between Protestant and Catholic armies hard-wired into their national character a sense of insecurity that they have never been able to shake off.”
― John Hooper, The Italians

“Skepticism about ever being able to reach firm conclusions is both reflected in, and encouraged by, the Italian language.”
― John Hooper, The Italians

“one reason Italians place such emphasis on what is visible is because they assume it is a representation of something that is not.”
― John Hooper, The Italians

“The use of symbols and metaphors, the endless interplay between illusion and reality, the difficulty of getting at a commonly accepted truth: these are all things that make Italy both frustrating and endlessly intriguing—not least because they raise the tantalizing question of why a people who spend so much of their time peering behind masks and facades should nevertheless be so concerned with appearances, with what they see on the surface.”
― John Hooper, The Italians

“teetotaler.”
― John Hooper, Fatal Voyage: The Wrecking of the Costa Concordia

“Imprecision is, on the whole, highly prized. Definition and categorization are, by contrast, suspect. For”
― John Hooper, The Italians

“But physical aggression is often replaced by verbal abuse, and verbal insults seldom lead to physical aggression.”
― John Hooper, The Italians

“things to remain flexible, they need to be complicated or vague, and preferably both.”
― John Hooper, The Italians