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“Reviews and essays that call attention to the critic are kind of like those movies that insist the viewer wear 3-D glasses. They promise depth, middle distance, a more fulsome experience, three-dimensionality: some additional layer of life. But the promise is redundant. Good criticism, like good films, will always give the impression of depth, of a presiding, trustworthy personality. Smart sentences, one after the other, are usually heartbeat enough.”
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