Garry Disher > Quotes

“The interior was dim like a cave. The ceiling, pressed tin, was stalactited with hooks from the days when the shopkeeper would hang it with buckets, watering cans, coils of rope and paired boots. Refrigerator cases lined a side wall, shallow crates of withered fruit and vegetables the back, and in the vast middle ground were aisles of rickety shelving, stacked with anything from tinned peaches to tampons. The sole cash register was adjacent to the entrance, next to ranks of daily newspapers and weekly and monthly magazines and a little bookcase thumbtacked with a sign, Library. If you were a farmer in need of an axe or some some sheep dip you headed for the far back corner. If you wanted to buy a stamp, you headed a couple of paces past the library.”
― Garry Disher

“The only good thing to come out of it was a kind of wisdom in Hirsch. He’d grown to understand that police officers can drift over time, and it isn’t always or entirely conscious but a loss of perspective. Real and imagined grievances develop, a feeling that the job deserved greater and better public recognition. Rewards, for example, in the form of more money, more or better sex, a promotion, a junket to an interstate conference, greater respect in general. Some of these rewards were graspable, others the thwarted dreams that drove their grievances. Cynism set it. The bad guys always got away with it, and the media seized on the police officer who took a bribe rather than the one who helped orphans. So why not take shortcuts and bend the rules??”
― Garry Disher, Hell to Pay

“With his pinned-back ears and face suffused with strong, hard-to-read feelings, Bowie looked sleek and dangerous briefly, belying the neatness, the pampered hands.”
― Garry Disher, Signal Loss

“press charges. Meanwhile see what Angela Sullivan has to say for herself, find the house and have it forensically examined—that’s if it’s still standing.’ Arrests would mean fingerprints, thought Auhl. Then they could run those prints against the prints on the gun. ‘Boss.’ OUTSIDE SULLIVAN’S HOUSE Auhl stretched the kinks in his spine. Too much charging around the countryside in a car. He followed Claire to the front door, pressed the bell. Nothing. Pounded his fist. Nothing. ‘Let’s try around the back.’ The side path took them to a typical suburban yard: small garden beds, flowers, shrubs and a vegetable plot, all showing some semblance of design—rock borders painted white, a wooden garden seat artfully angled beneath a small gum tree, a wheelbarrow doubling as a flowerpot. Neat, but in an ongoing”
― Garry Disher, Under the Cold Bright Lights

“Peninsula Freeway, and another off Penzance Beach Road, which wound in a dizzying climb high above sea level. She slowed for an intersection, the light green. She should make a right turn here, but that meant giving way to the oncoming traffic, which was streaming indifferently towards her, and what if some maniac failed to stop before she completed the turn? She tried to swallow. Her mouth was very dry. Someone sounded their horn at her. She continued through the intersection without turning. All those people there last Saturday, as close as bodies can get to one another, yet Janine hadn’t expected, sought or found any kind of togetherness. She knew from past experience that the other couples would look out for each other, the wives watching out for their husbands, always with a smile, a kiss, a comforting or loving caress, ‘Just checking that you’re happy’ kind of thing, and the husbands checking on how their wives were doing, ‘Are you okay? Love you’ kind of thing, even stopping to have sex with them before moving on to another play area. But that wasn’t Robert’s style. He would never so much as say ‘Enjoy yourself’ but go after the single women and younger wives, a glint of grasping need in his eyes, and last Saturday hadn’t been any different. He’d kept her there until three in the morning, long after most of the others had gone home. ‘Mum?’ ‘What?’ ‘Can I have a Happy Meal for lunch?’ ‘We’ll see.’ Beside her, Georgia began to sing. It had taken her husband about three months to wear her down. When he’d first proposed attending one of the parties, late last year, Janine had thought he was joking, but it soon became clear that he wasn’t. She’d felt vaguely discomfited, more from the tawdriness and risk of exposure than realising he probably didn’t want her sexually any more. ‘Why do you want to have sex with other women besides me?’ she’d asked, putting on a bit of a quiver. ‘But”
― Garry Disher, Snapshot

“in.’ Kellock hauled his huge mass over the driver’s seat and across the gearstick to the passenger seat. Jarrett climbed in after him, first motioning the shotgun at Ellen and Pam. ‘We’ve leaving now. You two won’t try to stop us.’ Ellen said, ‘Don’t do this, Laurie,’ and Pam began to circle around him. In answer, he shot out the tyres of their car. They froze, their insides spasming, pellets and grit spitting and pinging. He said again, ‘You won’t stop me.’ Ellen glanced around at Pam, who gave her a complicated look. ‘We won’t stop you,’ she murmured. The Toyota threw gravel at them as it started away but it wasn’t speeding. It moved sedately through the trees, exhaust toxins hanging in the still air, and they heard it pause at the main road above, and turn right. Waterloo lay in that direction, where the land levelled out to meet the sea. But before that there were many other roads, and back roads, full”
― Garry Disher, Chain of Evidence

“Their high achiever was Jacob. Arrested for stealing a car, he'd arrived at his magistrate's hearing in a car he'd stolen to get himself there.”
― Garry Disher, Day's End

“society depended on different agencies like the police, the judiciary and welfare services cooperating with each other. Except their aims rarely coincided, they rarely shared information, they rarely even talked to each other. Not out of bloody-mindedness—usually—but inefficiency and failure of imagination. Even though they were all bureaucracies, their systems rarely meshed.”
― Garry Disher, Consolation

“almost”
― Garry Disher, Whispering Death