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“The reshaping of dystopian writing in the aftermath of World War II was dominated by five themes. Firstly, humanity entered the nuclear age on 16 July 1945. By the mid-1950s we could destroy ourselves completely, and there were good reasons to assume we would. Secondly, the spectre of environmental degeneration, later transmuted into a discourse on climate change, with a potentially catastrophic outcome, emerged in the 1970s. Thirdly, the progress of mechanization threatened ever more subordination of people to machines, and an increasing blurring of human/machine identity. Fourthly, liberal non-totalitarian societies showed serious signs of cultural degeneration into intellectual senility and enslavement to a mindless ethos of hedonistic consumption. Finally, anxiety regarding the ‘War on Terror’ came to dominate the news.”
Gregory Claeys, Dystopia: A Natural History
“In the first case the whole economy and management are good; every operation proceeds with ease, order, and success. In the last, the reverse must follow, and a scene be presented of counteraction, confusion, and dissatisfaction among all the agents and instruments interested or occupied in the general process, which cannot fail to create great loss. If, then, due care as to the state of your inanimate machines can produce such beneficial results, what may not be expected if you devote equal attention to your vital machines, which are far more wonderfully constructed?”
Gregory Claeys, A New View of Society and Other Writings

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