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“Ordinarily, when the great oak doors groaned open and someone entered Prat Library there would be a burst of sunlight, a bright harsh intrusion on the dim and quiet. But when Oriana Jeffers came through the doors, the light transmuted into moonbeams and star-shimmer, and all the books on the shelves fluttered awake. Oh joy, they whispered, a READER.”
Jon Cohen
“What is a library, but a temple of truth? What other function do books have, the great ones, but to change the reader? Books to comfort. But most of all, books to disturb you forward.”
Jon Cohen
“By its very nature [...] love is tragic. You can't protect it. No matter how tightly you hold on to the one you love, they leave you or you leave them. That's what life is, loving and letting go. I am so grateful to those two young lovers of sixty years ago. I am so grateful to have tasted love. But all love ends tragically. Because, tragically, love always ends. What a heartbreaking and wonderful conundrum! Whether you have it just a few weeks, or years, or your entire life--always, it ends.”
Jon Cohen
“The Grum’s Ledger is a tale of regret. In real life, there was no happy ending. Alexander Grum died alone because he was afraid to seize love and risk and all the unknowns that go with it. He chose certainty- and it was his ruin.”
Jon Cohen
“He tried sometimes to see in her some extraordinary hidden gift, some thing of great beauty, the pearl that would make her attractive to a man. But if there was a pearl, it lay deeply and irretrievably buried. Where she was not unsightly, she was merely ordinary. Her voice didn’t dazzle, she had no great brains, she cooked but with no particular interest or talent for it, she couldn’t dance and didn’t want to (a wise choice—when Arnie imagined Iris throwing her concentrated weight around a dance floor, his stomach went acidy). Her hair didn’t shine, her feet were not small, the clothes she wore didn’t enhance her qualities, because she had few qualities to enhance. She could be funny at times, and kind at times, but not overwhelmingly, not to a degree that might cause a guy to give her a second look. The best Arnie could come up with for Iris’s main selling point was that she did what she was supposed to do. Which wasn’t so bad really, in a world where you couldn’t depend on anybody. Iris showed up for work on time, she bathed regularly with sensible soap, and she paid her bills. Arnie doubted there was anyone out there staying up nights fantasizing about a woman like that.”
Jon Cohen, The Man in the Window
“Is everything a story to you?" Harry called after her.
"Absolutely!" came Olive's voice. "I'm a librarian, dear!”
Jon Cohen
“He [God] chooses not to intervene in the world. Why not? Because he figures he's done enough and the rest is up to us? Or he wouldn't know where to begin? Or because he's in awe of his own miracle? That's how I picture him, his mouth slightly agape, his eyes wide in disbelief.”
Jon Cohen, The Man in the Window
“I am in a tree, thinking tree thoughts.”
Jon Cohen
“What mother could abandon the dream that lived inside her, deny the one thing in this world she knows as certain, which is the absolute and everlasting beauty of her child?”
Jon Cohen, The Man in the Window

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