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“For the most basic assumption that dictated my early attempts to respond to creative music commentary was the mistaken belief that western journalists had some fundamental understanding of black creativity—or even western creativity—but this assumption was seriously in error.”
Anthony Braxton, The Tri-Axium Writings
“There's a lot of creative music happening in the underground, which is a very hopeful kind of sign....[These initiators are] usually kind of outcasts--for the most part no one can relate to them. And it's all over the planet; you go and look in the alleys and under the doorways, in the coal mines--they're there, lurking in the
shadows; a significant amount of people in different parts of the planet who are genuinely creative. And I associate and attach myself to that. Usually when I go to any new place I try to find out from the musicians--they'll usually say 'this guy can't play,' or 'he's crazy,' 'he's not doing anything,' 'he's a sick, warped, demented
fool'--and immediately I try to find him. He's probably one of us.”
Anthony Braxton

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