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“And after that, and also for each word, there should be sentences that show the twists and turns of meanings—the way almost every word slips in its silvery, fishlike way, weaving this way and that, adding subtleties of nuance to itself, and then perhaps shedding them as public mood dictates.”
Simon Winchester, The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary
“Any grand new dictionary ought itself to be a democratic product, a book that demonstrated the primacy of individual freedoms, of the notion that one could use words freely, as one liked, without hard and fast rules of lexical conduct.”
Simon Winchester, The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary
“The English language was spoken and written—but at the time of Shakespeare it was not defined, not fixed. It was like the air—it was taken for granted, the medium that enveloped and defined all Britons. But as to exactly what it was, what its components were—who knew?”
Simon Winchester, The Professor and the Madman
“The future is a foreign country :
they will do things differently there.”
Simon Winchester, Land: How the Hunger for Ownership Shaped the Modern World
“In the sixteenth century in England, dictionaries such as we would recognize today simply did not exist. If the language that so inspired Shakespeare had limits, if its words had definable origins, spellings, pronunciations, meanings—then no single book existed that established them, defined them, and set them down.”
Simon Winchester, The Professor and the Madman
“The language should be accorded just the same dignity and respect as those other standards that science was then also defining.”
Simon Winchester, The Professor and the Madman
“All of a sudden his books, which had hitherto been merely a fond decoration and a means of letting his mind free itself from the grim routines of Broadmoor life, had become his most precious possession. For the time being at least he could set aside his imaginings about the harm that people were trying to inflict on him and his person: It was instead his hundreds of books that now needed to be kept safe, and away from the predators with whom he believed the asylum to be infested. His books, and his work on the words he found in them, were about to become the defining feature of his newly chosen life.”
Simon Winchester, The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary
“An end to timidity - the replacement of the philologically tentative by the lexicographically decisive." - on the making of the Oxford English Dictionary”
Simon Winchester, The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary
“One newcomer, asked why he had killed his wife and children, told the superintendent: “I don’t know why I am telling you all of this. It’s none of your business As a matter of fact it was none of the judge’s business either. It was a purely family affair.”
Simon Winchester, The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary
“His life was merely a slow-moving tragedy, an act of steady dying conducted before everyone's eyes.”
Simon Winchester, The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary
“Defining words properly is a fine and peculiar craft. There are rules—a word (to take a noun as an example) must first be defined according to the class of things to which it belongs (mammal, quadruped), and then differentiated from other members of that class (bovine, female). There must be no words in the definition that are more complicated or less likely to be known that the word being defined. The definition must say what something is, and not what it is not. If there is a range of meanings of any one word—cow having a broad range of meanings, cower having essentially only one—then they must be stated. And all the words in the definition must be found elsewhere in the dictionary—a reader must never happen upon a word in the dictionary that he or she cannot discover elsewhere in it. If the definer contrives to follow all these rules, stirs into the mix an ever-pressing need for concision and elegance—and if he or she is true to the task, a proper definition will probably result.”
Simon Winchester, The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary
“God—who in that part of London society was of course firmly held to be an Englishman—naturally approved the spread of the language as an essential imperial device;”
Simon Winchester, The Professor and the Madman
“No critic and advocate of immutability has ever once managed properly or even marginally to outwit the English language's capacity for foxy and relentlessly slippery flexibility. For English is a language that simply cannot be fixed, not can its use ever be absolutely laid down. It changes constantly; it grows with an almost exponential joy. It evolves eternally; its words alter their senses and their meanings subtly, slowly, or speedily according to fashion and need.”
Simon Winchester, The Meaning of Everything: The Story of the Oxford English Dictionary
“Shakespeare was not even able to perform a function that we consider today as perfectly normal and ordinary a function as reading itself. He could not, as the saying goes, “look something up.” Indeed the very phrase—when it is used in the sense of “searching for something in a dictionary or encyclopedia or other book of reference”—simply did not exist. It does not appear in the English language, in fact, until as late as 1692, when an Oxford historian named Anthony Wood used it. Since there was no such phrase until the late seventeenth century, it follows that there was essentially no such concept either, certainly not at the time when Shakespeare was writing—a time when writers were writing furiously, and thinkers thinking as they rarely had before. Despite all the intellectual activity of the time there was in print no guide to the tongue, no linguistic vade mecum, no single book that Shakespeare or Martin Frobisher, Francis Drake, Walter Raleigh, Francis Bacon, Edmund Spenser, Christopher Marlowe, Thomas Nash, John Donne, Ben Jonson, Izaak Walton, or any of their other learned contemporaries could consult.”
Simon Winchester, The Professor and the Madman
“There is a Sacerdotall dignitie in my native Countrey contiguate to me, where I now contemplate: which your worshipfull benignitie could sone impenetrate for mee, if it would like you to extend your sedules, and collaude me in them to the right honourable lord Chaunceller, or rather Archgrammacian of Englande.”
Simon Winchester, The Professor and the Madman
“One woman even disparaged Johnson for failing to include obscenities. “No, Madam, I hope I have not daubed my fingers,” he replied, archly. “I find, however, that you have been looking for them.”
Simon Winchester, The Professor and the Madman
“Our histories, our novels, our poems, our plays—they are all in this one book.”
Simon Winchester, The Meaning of Everything: The Story of the Oxford English Dictionary
“Jonathan Swift mounted a lifelong attempt to ‘fix our language forever’—no critic and advocate of immutability has ever once managed properly or even marginally to outwit the English language’s capacity for foxy and relentlessly slippery flexibility.”
Simon Winchester, The Meaning of Everything: The Story of the Oxford English Dictionary
“No one had a clue what they were up against: They were marching blindfolded through molasses. And”
Simon Winchester, The Professor and the Madman
“Minor wants desperately to know that he is being helpful. He wants to feel involved. He wants, but knows he can never demand, that praise be showered on him. He wants respectability, and he wants those in the asylum to know that he is special, different from others in their cells. Though”
Simon Winchester, The Professor and the Madman
“The scientific world of the time was in the midst of a terrible ferment, with discoveries and realizations coming at an unseemly rate. To many in the ranks of the conservative and the devout, the new theories of geology and biology were delivering a series of hammer blows to mankind's self-regard. Geologists in particular seemed to have gone berserk, to have thrown off all sense of proper obeisance to their Maker... Mankind, it seemed, was now suddenly rather – dare one say it? – insignificant. He may not have been, as he had eternally supposed, specially created.”
Simon Winchester, Krakatoa: The Day the World Exploded [August 27, 1883]
“According to an equally lovingly preserved English translation of the prospectus, the purpose of Ibuka’s firm was “to establish an ideal factory that stresses a spirit of freedom and open-mindedness, and where engineers with sincere motivation can exercise their technological skills to the highest level.” We shall, he pledged, “eliminate any unfair profit-seeking exercises” and “seek expansion not only for the sake of size.” Further, “we shall carefully select employees . . . we shall avoid to have [sic] formal positions for the mere sake of having them, and shall place emphasis on a person’s ability, performance and character, so that each”
Simon Winchester, Pacific: Silicon Chips and Surfboards, Coral Reefs and Atom Bombs, Brutal Dictators, Fading Empires, and the Coming Collision of the World's Superpowers
“Railroads brought about lasting social effects, as well. The companies’ ruthless attention to keeping time impelled passengers to carry pocket watches,* and led to the eventual establishment of time zones.”
Simon Winchester, The Men Who United the States: America's Explorers, Inventors, Eccentrics and Mavericks, and the Creation of One Nation, Indivisible
“was the heroic creation of a legion of interested and enthusiastic men and women of wide general knowledge and interest; and it lives on today, just as lives the language of which it rightly claims to be a portrait.”
Simon Winchester, The Professor and the Madman
“He was mad, and for that, we have reason to be glad. A truly savage irony, on which it is discomforting to dwell.”
Simon Winchester, The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary
“2 percent of America’s electricity now goes to keeping the Internet cool, to keeping the link unbroken, for America and for the world.”
Simon Winchester, The Men Who United the States: America's Explorers, Inventors, Eccentrics and Mavericks, and the Creation of One Nation, Indivisible
“The very name Impressionism is taken from an Atlantic Ocean painting - that of Monet, of sunrise in the harbor of Le Havre, done in 1872.”
Simon winchester
“The only public memorials ever raised to the two most tragically linked of this saga’s protagonists are miserable, niggardly affairs. William Minor has just a simple little gravestone in a New Haven cemetery, hemmed in between litter and slums. George Merrett has for years had nothing at all, except for a patch of grayish grass in a sprawling graveyard in South London. Minor does, however, have the advantage of the great dictionary, which some might say acts as his most lasting remembrance. But nothing else remains to suggest that the man he killed was ever worthy of any memory at all. George Merrett has become an absolutely unsung man. Which is why it now seems fitting, more than a century and a quarter on, that this modest account begins with the dedication that it does. And why this book is offered as a small testament to the late George Merrett of Wiltshire and Lambeth, without whose untimely death these events would never have unfolded, and this tale could never have been told.”
Simon Winchester, The Professor and the Madman
“the creation of any sense of unity among a population of potentially disharmonious settlers almost always requires the deliberate agency of man.”
Simon Winchester, The Men Who United the States: America's Explorers, Inventors, Eccentrics and Mavericks, and the Creation of One Nation, Indivisible

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