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“We name us and then we are lost, tamed
I choose words, more words, to cure the tameness, not the wildness”
― Mysteries of Small Houses
I choose words, more words, to cure the tameness, not the wildness”
― Mysteries of Small Houses
“I'll never know how to live, will you?”
―
―
“I can’t translate myself into language any more.”
― Culture of One
― Culture of One
“oh each poet’s a beautiful human girl who must die.”
― Grave of Light: New and Selected Poems, 1970-2005
― Grave of Light: New and Selected Poems, 1970-2005
“Because we rejected a certain kind of critical language people just assumed that we were dumb”
―
―
“Abolish these categories of pain
(or is it love)
Let it all be one pain
Pain swallows itself, dies like a star.”
― Disobedience
(or is it love)
Let it all be one pain
Pain swallows itself, dies like a star.”
― Disobedience
“Who defined me? My culture, a culture of mercy, a living codex. I am a unique culture of one, from everywhere. I am her map and her self. I am everyone in the story; I am the story.”
― Culture of One
― Culture of One
“You're dancing on me
said the cosmic dragon, the galactic surface of all we can see.
So fucking what? she said.”
―
said the cosmic dragon, the galactic surface of all we can see.
So fucking what? she said.”
―
“... our production of the world, our interpretation of it, what we've been told to experience and what we've been told we have to do, both worry and distress me. I don't want to live in someone else's dream.”
―
―
“ ‘You are your” “Past, Present,” “& Future,’ he said” ” ‘You divide into” “those components” “in this room’ ” ” ‘But I do not have” “components!’ ” “our three voices said,” ” ‘My
secret name—” “Time’s secret name” “is Oneness,” “is One Thing’ ” “As I—the one” “in the middle—spoke,” “the one of us in front—” “who was the Past—” “had already” “finished speaking” “& was awaiting” “his reply” “He said,” ” ‘Don’t we seem” “to experience” “things
somewhat this way?” “There is past, present” :& future’ ” “The Future then cried out,” ” ‘Where is my life?” ‘Where is my life?” “You have stolen” “my life!’ ” “There was a silence” “The man” “reached out &” “pressed a button” “on the cave wall—” “we three united” “into
one again” “while he wrote words on” “a clipboard” “Then he looked up & said,” ” ‘Going forward?” “Going on?” “Death lies ahead, you know’ ” “Any woman” “may already” “be dead,’ ” “I said”
― The Descent of Alette
secret name—” “Time’s secret name” “is Oneness,” “is One Thing’ ” “As I—the one” “in the middle—spoke,” “the one of us in front—” “who was the Past—” “had already” “finished speaking” “& was awaiting” “his reply” “He said,” ” ‘Don’t we seem” “to experience” “things
somewhat this way?” “There is past, present” :& future’ ” “The Future then cried out,” ” ‘Where is my life?” ‘Where is my life?” “You have stolen” “my life!’ ” “There was a silence” “The man” “reached out &” “pressed a button” “on the cave wall—” “we three united” “into
one again” “while he wrote words on” “a clipboard” “Then he looked up & said,” ” ‘Going forward?” “Going on?” “Death lies ahead, you know’ ” “Any woman” “may already” “be dead,’ ” “I said”
― The Descent of Alette
“I knew you were in charge of me but my mind broke on its own.”
― In the Pines
― In the Pines
“I want this noise within me to die down.”
―
―
“you see all night in your dreams. And the blue of my voice can't help but see you.”
―
―
“I didn't care much what happened to me, so chance didn't matter.”
― In the Pines
― In the Pines
“Gee whiz, it's all fucking heart-
breaking”
―
breaking”
―
“What did you do in your songs?
I don’t know, I’ll never know, you say. Someone else will write them about me, won’t they?
I looked into a void of love. And I fell down. There was nothing else there. No where, where I was no one.
But I have to sing this song. I’m still here.”
― In the Pines
I don’t know, I’ll never know, you say. Someone else will write them about me, won’t they?
I looked into a void of love. And I fell down. There was nothing else there. No where, where I was no one.
But I have to sing this song. I’m still here.”
― In the Pines
“There isn’t any way to be.
I will meet you where you’ve gone. The cards are blank; the cards are empty there.
If I can just have one last cut.
Do you have a plan for the new?
The cards be blank. The symbols be over.
I will tell my fortune with the blank cards of blank.
What do you see?”
― In the Pines
I will meet you where you’ve gone. The cards are blank; the cards are empty there.
If I can just have one last cut.
Do you have a plan for the new?
The cards be blank. The symbols be over.
I will tell my fortune with the blank cards of blank.
What do you see?”
― In the Pines
“Jack of diamonds is a hard card, why should there be a story? It’s too hard a card to please, and it isn’t the no earth I know. I got hepatitis C from shooting speed thirty-three years ago.”
― In the Pines
― In the Pines
“And if you’re referring to your anguish, it’s just a thing. The shape of a trailor, a wheel, or a knife. Leave the details of your life and find another one.”
― In the Pines
― In the Pines
“Gift
Nothing will hurt you that much despite how you feel
the stress on your back shapes your insight
this splendid November rain Toussaint. I find
you by your marks, he says
an imprint
But when I summon you, I talk to—I say—
my memory of your face. It’s kind of crazy
to others. They’re not very interesting he says.
When I first came to this country, and now
I know the language I say, but I had in a dream
spoken it many years previously. That is,
not the language of the dead the language
of France. I took one year of French in 1964
and then nothing but once, in 1977 I spoke French
in a dream all night: I was in the future I
moved here in 1992. Country of the more
logical than I? though the people of my quartier
know and like me, even as I a foreigner remain strange
You do everything alone a woman said to me.
There are ways to care without interfering
but the French speak of anguish frequently
they are conscious of emotional extremity
a terrible gift. It’s all a gift, he says . . .
some haven’t been opened. I’m not sure
he said that it’s nearly my sixty-seventh birthday
today though it’s the day of the dead hello
we love you they say.”
―
Nothing will hurt you that much despite how you feel
the stress on your back shapes your insight
this splendid November rain Toussaint. I find
you by your marks, he says
an imprint
But when I summon you, I talk to—I say—
my memory of your face. It’s kind of crazy
to others. They’re not very interesting he says.
When I first came to this country, and now
I know the language I say, but I had in a dream
spoken it many years previously. That is,
not the language of the dead the language
of France. I took one year of French in 1964
and then nothing but once, in 1977 I spoke French
in a dream all night: I was in the future I
moved here in 1992. Country of the more
logical than I? though the people of my quartier
know and like me, even as I a foreigner remain strange
You do everything alone a woman said to me.
There are ways to care without interfering
but the French speak of anguish frequently
they are conscious of emotional extremity
a terrible gift. It’s all a gift, he says . . .
some haven’t been opened. I’m not sure
he said that it’s nearly my sixty-seventh birthday
today though it’s the day of the dead hello
we love you they say.”
―
“I confess I meant to grow wings and lose my mind.
I confess that I've forgotten what for.”
― In the Pines
I confess that I've forgotten what for.”
― In the Pines
“I want to go back to where I once lived,
but it isn't there anymore; that one of me
isn't here.”
― Certain Magical Acts
but it isn't there anymore; that one of me
isn't here.”
― Certain Magical Acts
“I am the only language I can understand.”
―
―
“You used to be alive, now you’re almost mythic.”
― Songs and Stories of the Ghouls
― Songs and Stories of the Ghouls
“Stalker
The light so thick nothing’s visible, cognoscenti
I knew them, stupid apes. Real apes know more
Before we said apes. I know how to be you bet-
ter — a stupid voice. You must find a mind
to respect — why? There was someone with ear
buds, speaking gibberish who wouldn’t
stop walking beside me; freckle-spattered. I
had to ask the métro attendant for help;
she extricated him from me ... I respect his chaotic
speech, mild adhesive force because it makes no sense.
I am back on the alley, discovering adults are un-
trustworthy: someone’s lying ... about a
fight between a teenage girl and boy — he pushed
her hard — first she badly scratched him, she’s worse, his
mother says. I’m back at pre-beginning, I don’t
want to go through that again. There is no
sexuality in chaos, there’s no style, nor
hope. I want style — apes have style, people
have machines. Show me something to respect
This bleuet growing out of a wall on rue d’Hauteville.
I picked it and pressed it in a diary. Every once
in a while I respect a moment. I am back at
pre-beginning: I don’t want to care beyond
this ... sudden hue in the sand, yellow or spotted with an
hallucinated iridescence. The one who is
stalking me ... there has often been someone stalk-
ing me. My destiny. He’s gone, stay here
in this, I can’t be harmed if I’m the only one who’s
thought of being here. Aren’t you lonely? I don’t know.”
―
The light so thick nothing’s visible, cognoscenti
I knew them, stupid apes. Real apes know more
Before we said apes. I know how to be you bet-
ter — a stupid voice. You must find a mind
to respect — why? There was someone with ear
buds, speaking gibberish who wouldn’t
stop walking beside me; freckle-spattered. I
had to ask the métro attendant for help;
she extricated him from me ... I respect his chaotic
speech, mild adhesive force because it makes no sense.
I am back on the alley, discovering adults are un-
trustworthy: someone’s lying ... about a
fight between a teenage girl and boy — he pushed
her hard — first she badly scratched him, she’s worse, his
mother says. I’m back at pre-beginning, I don’t
want to go through that again. There is no
sexuality in chaos, there’s no style, nor
hope. I want style — apes have style, people
have machines. Show me something to respect
This bleuet growing out of a wall on rue d’Hauteville.
I picked it and pressed it in a diary. Every once
in a while I respect a moment. I am back at
pre-beginning: I don’t want to care beyond
this ... sudden hue in the sand, yellow or spotted with an
hallucinated iridescence. The one who is
stalking me ... there has often been someone stalk-
ing me. My destiny. He’s gone, stay here
in this, I can’t be harmed if I’m the only one who’s
thought of being here. Aren’t you lonely? I don’t know.”
―
“Feeling awful is physiological you say.
God I hate you, I say. Yes you can find the neurons for feeling awful. Do you think you can find the neurons for the fact I hate you?”
― In the Pines
God I hate you, I say. Yes you can find the neurons for feeling awful. Do you think you can find the neurons for the fact I hate you?”
― In the Pines




