Patrick Leigh Fermor > Quotes

“All horsepower corrupts.”
― Patrick Leigh Fermor, A Time of Gifts

“Paradox reconciles all contradictions.”
― Patrick Leigh Fermor, A Time of Gifts

“These summer nights are short. Going to bed before midnight is unthinkable and talk, wine, moonlight and the warm air are often in league to defer it one, two or three hours more. It seems only a moment after falling asleep out of doors that dawn touches one gently on the shoulder, and, completely refreshed, up one gets, or creeps into the shade or indoors for another luxurious couple of hours. The afternoon is the time for real sleep: into the abyss one goes to emerge when the colours begin to revive and the world to breathe again about five o'clock, ready once more for the rigours and pleasures of late afternoon, the evening, and the night.”
― Patrick Leigh Fermor, Mani: Travels in the Southern Peloponnese

“Live, don't know how long,
And die, don't know when;
Must go, don't know where;
I am astonished I am so cheerful.”
― Patrick Leigh Fermor, Between the Woods and the Water

“I found my mind wandering at games; loved boxing and was good at it; and in summer, having chosen rowing instead of cricket, lay peacefully by the Stour, well upstream of the rhythmic creaking and the exhortation, reading Lily Christine and Gibbon and gossiping with kindred lotus-eaters under the willow-branches.”
― Patrick Leigh Fermor, A Time of Gifts

“Scattered with poppies, the golden-green waves of the cornfields faded. The red sun seemed to tip one end of a pair of scales below the horizon, and simultaneously to lift an orange moon at the other. Only two days off the full, it rose behind a wood, swiftly losing its flush as it floated up, until the wheat loomed out of the twilight like a metallic and prickly sea.”
― Patrick Leigh Fermor, Between the Woods and the Water

“At school some learning by heart was compulsory, though not irksome. But this intake was out-distanced many times, as it always is among people who need poetry, by a private anthology, both of those automatically absorbed and of poems consciously chosen and memorized as though one were stocking up for a desert island or for a stretch of solitary.”
― Patrick Leigh Fermor, A Time of Gifts

“[Poetry] is a field where England can take on all challengers.”
― Patrick Leigh Fermor, A Time of Gifts

“The notion that I had walked twelve hundred miles since Rotterdam filled me with a legitimate feeling of something achieved. But why should the thought that nobody knew where I was, as though I were in flight from bloodhounds or from worshipping corybants bent on dismemberment, generate such a feeling of triumph? It always did.”
― Patrick Leigh Fermor, A Time of Gifts

“Trivial things light fuses in the memory.”
― Patrick Leigh Fermor

“Often, half in a bay of the mountains and half on a headland, a small and nearly amphibian Schloss mouldered in the failing light among the geese and the elder-bushes and the apple trees. Dank walls rose between towers that were topped with cones of moulting shingle. Weeds throve in every cranny. Moss mottled the walls. Fissures branched like forked lightning across damp masonry which the rusting iron clamps tried to hold together, and buttresses of brick shored up the perilously leaning walls. The mountains, delaying sunrise and hastening dusk, must have halved again the short winter days. Those buildings looked too forlorn for habitation. But, in tiny, creeper-smothered windows, a faint light would show at dusk. Who lived in those stone-flagged rooms where the sun never came? Immured in those six-foot-thick walls, overgrown outside with the conquering ivy and within by genealogical trees all moulting with mildew? My thoughts flew at once to solitary figures…a windowed descendant of a lady-in-waiting at the court of Charlemagne, alone with the Sacred Heart and her beads, or a family of wax-pale barons, recklessly inbred; bachelors with walrus moustaches, bent double with rheumatism, shuddering from room to room and coughing among their lurchers, while their cleft palates called to each other down corridors that were all but pitch dark.”
― Patrick Leigh Fermor, A Time of Gifts

“Mental discipline, prayer and remoteness from the world and its disturbing visions reduce temptation to a minimum, but they can never entirely abolish it. In medieval traditions, abbeys and convents were always considered to be expugnable centres of revolt against infernal dominion on earth. They became, accordingly, special targets. Satan, issuing orders at nightfall to his foul precurrers, was rumoured to dispatch to capital cities only one junior fiend. This solitary demon, the legend continues, sleeps at his post. There is no work for him; the battle was long ago won. But monasteries, those scattered danger points, become the chief objectives of nocturnal flight; the sky fills with the beat of sable wings as phalanx after phalanx streams to the attack, and the darkness crepitates with the splintering of a myriad lances against the masonry of asceticism.”
― Patrick Leigh Fermor, A Time to Keep Silence

“A little later, as we talked of the Maniot dirges by which I was obsessed, I was surprised to hear this bloodshot-eyed and barefoot old man say: “Yes, it’s the old iambic tetrameter acalectic.” It was the equivalent of a Cornish fisherman pointing out the difference, in practicality incomprehensible dialect, between the Petrachian and the Spenserian sonnet. It was quite correct. Where on earth had he learnt it? His last bit of information was that, in the old days (that wonderful cupboard!) the Arabs used to come to this coast to dive for the murex.”
― Patrick Leigh Fermor, Mani: Travels in the Southern Peloponnese

“the feeling of being lost in time and geography with months and years hazily sparkling ahead in a prospect of inconjecturable magic”
― Patrick Leigh Fermor

“There was a deep wisdom behind the orgiastic and hysterical aspects of ancient religion; there is much to be said in favour of this flinging open of the floodgates to grief. It might be argued that the decorous little services of the West, the hushed voices, the self-control, our brave smiles and calmness either stifle the emotion of sorrow completely, or drive it underground where it lodges and proliferates in a malign and dangerous growth that festers for a lifetime.”
― Patrick Leigh Fermor, Mani: Travels in the Southern Peloponnese

“I fell asleep among the beer mugs and when I woke, I couldn’t think where I was.”
― Patrick Leigh Fermor, A Time of Gifts

“I found it impossible to tear myself away from my station and plunge into Hungary. I feel the same disability now; a momentary reluctance to lay hands on this particular fragment of the future; not out of fear, but because, within arm's reach and still intact, this future seemed, and still seems, so full of promised marvels.”
― Patrick Leigh Fermor, A Time of Gifts

“Vague speculation thrives in weather like this. The world is muffled in white, motor-roads and telegraph-poles vanish, a few castles appear in the middle distance; everything slips back hundreds of years. The details of the landscape - the leafless trees, the sheds, the church towers, the birds and the animals, the sledges and the woodmen, the sliced ricks and the occasional cowmen driving a floundering herd from barn to barn - all these stand out dark in isolation against the snow, distinct and momentous.”
― Patrick Leigh Fermor, A Time of Gifts

“Πατρίδα είναι το μέρος όπου έχει κανείς τα βιβλία του.”
― Πάτρικ Λη Φέρμορ

“It seems at times that strife can no more be separated from monotheism than stripes from a tiger.”
― Patrick Leigh Fermor, Between the Woods and the Water

“Dropping toward the watershed, the sun filled the place with evening light and kindled the windows and the western flanks of cupolas and steeples and many belfries, darkening the eastern walls with shadow; and as we gazed, one of them began to strike the hour and another took up the challenge, followed by a third and soon enormous tonnages of sectarian bronze were tolling their ancient rivalries into the dusk.”
― Patrick Leigh Fermor, Between the Woods and the Water

“When Paris, a Trojan prince, stole the beautiful Helen from her husband, the King of Sparta, that,’ he pointed to the Marathonisi, ‘is where the runaways first dropped anchor. They left the caique and spent the first night together on the island. Homer wrote about it. It used to be called Kranae.’ We were dumbfounded. Kranae! I had always wondered where it was. The whole of Gytheion was suddenly transformed. Everything seemed to vanish except the dark silhouette of the island where thousands of years ago that momentous and incendiary honeymoon began among the whispering fennel.”
― Patrick Leigh Fermor, Mani: Travels in the Southern Peloponnese

“The Laconian peninsula lay weightlessly along the eastern horizon and, slightly more substantial, the outline of Elaphonisi—Stag-Island—loomed between us. Wraithlike on the Lybian Sea which expanded southwards far beyond the divider-point capes of Malea and Matapan, hovered Cythera once again, and beyond it, hardly discernible, Anticythera, the last stepping stone to the two stormy western capes of Crete.”
― Patrick Leigh Fermor, Mani: Travels in the Southern Peloponnese

“Leb, waiss nit wie lang,
Und stürb, waiss nit wann
Muess fahren, waiss nit wohin
Mich wundert, das ich so frelich bin.”
― Patrick Leigh Fermor, A Time of Gifts

“I hope your slumbers were peaceful and mated with quiet dreams?”
― Patrick Leigh Fermor, A Time of Gifts

“A shadow appeared on the awnings further up the land, gliding across each rectangle of canvas towards my table, sinking in the sag, rising again at the edge, and moving on to the next with a flicker of dislocation, then gliding onwards. As it crossed the stripe of sunlight between two awnings, it threaded the crimson beak of a stork through the air, a few inches above the gap; then came a long white neck, the swell of snowy breast feathers and the six-foot motionless span of its white wings and the tips of the black flight feathers upturned and separated as fingers in the lift of the air current. The white belly followed, tapering, and then, trailing behind, the fan of its tail and long parallel legs of crimson lacquer, the toes of each of them closed and streamlined, but the whole shape flattening, when the band of sunlight was crossed, into a two-dimensional shadow once more, enormously displayed across the rectangle of cloth, as distinct and nearly as immobile, so languid was its flight, as an emblematic bird on a sail; then sliding across it and along the nearly still corridor of air between the invisible eaves and the chimneys, dipping along the curl of the lane like a sigh of wonder, and, at last, a furlong away slowly pivoting, at a gradual tilt, out of sight. A bird of passage like the rest of us.”
― Patrick Leigh Fermor, The Broken Road: From the Iron Gates to Mount Athos

“I never heard communism seriously propounded or argued; perhaps I was too deeply preoccupied with my own dissipations; and, as it turned out in the end it was a way of thought that I was denied or spared by a geographical fluke. From the end of these travels till the War, I lived, with a year's interruption, in Eastern Europe, among friends whom I must call old-fashioned liberals. They hated Nazi Germany; but it was impossible to look eastwards for inspiration and hope, as their western equivalents--peering from afar, and with the nightmare of only one kind of totalitarianism to vex them--felt able to do. For Russia began only a few fields away, the other side of a river; and there, as all her neighbours knew, great wrong was being done and terrible danger lay. All their fears came true. Living among them made me share those fears and they made stony ground for certain kinds of grain.”
― Patrick Leigh Fermor

“My mother was filled with apprehension to begin with; we pored over the atlas, and, bit by bit as we pored, the comic possibilities began to unfold in absurd imaginary scenes until we were falling about with laughter; and by the time I caught the train to London next morning, she was infected with my excitement.”
― Patrick Leigh Fermor, A Time of Gifts

“There are times when hours are more precious than diamonds.”
― Patrick Leigh Fermor, Between the Woods and the Water

“The sun had gone down but the trees and the first houses of Kampos were still glowing with the sunlight they had been storing up since dawn. It seemed to be shining from inside them with the private, interior radiance of summer in Greece that lasts for about an hour after sundown so that the white walls and the tree trunks and the stones fade into the darkness at last like slowly expiring lamps.”
― Patrick Leigh Fermor