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“In reality, a musical idea is as wonderful a thing as we can conceive—a miracle of life and yet intangible, ethereal. The composer apparently creates something out of nothing, pure fancy being wrought into terms of communication.”
Walter Raymond Spalding, Music: An Art and a Language
“In all worthy music, in fact, the chief point of interest is the music itself which speaks to us in its own language of sound and rhythm. A knowledge of form is but a means to an end: for the composer, that he may express himself clearly and convincingly, and for the listener, that he may readily receive the message set forth.”
Walter Raymond Spalding, Music: An Art and a Language
“It is true that all music is the expression in tones of the imagination of the composer; true, also, that music must fulfil certain conditions of its own being. But imaginations differ.”
Walter Raymond Spalding, Music: An Art and a Language
“Music, to be sure, is a universal language, but each nation has used this language in its own way.”
Walter Raymond Spalding, Music: An Art and a Language
“The first question, in the presence of an elaborate work of music, should never be, "Do I like it or not?" but "Do I understand it?”
Walter Raymond Spalding, Music: An Art and a Language
“Make art the hand-maiden of humanity. Seek not for beauty but for truth. Go to the people.”
Walter Raymond Spalding, Music: An Art and a Language
“The mystery of music must be approached with reverence and music must be loved for itself with perfect sincerity.”
Walter Raymond Spalding, Music: An Art and a Language
“The fact indeed that music—like love, electricity and other elemental forces—cannot be defined is its special glory. It is a peculiar, mysterious power; [1] quite in a class by itself, although with certain aspects which it shares with the other arts.”
Walter Raymond Spalding, Music: An Art and a Language
“This brings us face to face with the perplexing question as to the essence of music. To some it is a record of intellectual activity tinged with emotion; to others, an emotional outpouring controlled by intellect. These two types of music will always exist, being the natural expression of the corresponding classes in human nature.”
Walter Raymond Spalding, Music: An Art and a Language

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