Goodreads helps you follow your favorite authors. Be the first to learn about new releases!
Start by following Amy Lowell.
Showing 1-30 of 58
“All books are either dreams or swords,
You can cut, or you can drug, with words. ”
― Selected Poems of Amy Lowell
You can cut, or you can drug, with words. ”
― Selected Poems of Amy Lowell
“I am tired, Beloved, of chafing my heart against
The want of you;
Of squeezing it into little inkdrops,
And posting it.”
― The Complete Poetical Works of Amy Lowell
The want of you;
Of squeezing it into little inkdrops,
And posting it.”
― The Complete Poetical Works of Amy Lowell
“A black cat among roses,
phlox, lilac-misted under a quarter moon,
the sweet smells of heliotrope and night-scented stock. The garden is very still.
It is dazed with moonlight,
contented with perfume...”
―
phlox, lilac-misted under a quarter moon,
the sweet smells of heliotrope and night-scented stock. The garden is very still.
It is dazed with moonlight,
contented with perfume...”
―
“For books are more than books, they are the life
The very heart and core of ages past,
The reason why men lived and worked and died,
The essence and quintessence of their lives.”
―
The very heart and core of ages past,
The reason why men lived and worked and died,
The essence and quintessence of their lives.”
―
“You are ice and fire
The touch of you burns my hands like snow”
―
The touch of you burns my hands like snow”
―
“Decade
When you came, you were like red wine and honey,
And the taste of you burnt my mouth with its sweetness.
Now you are like morning bread,
Smooth and pleasant.
I hardly taste you at all for I know your savour,
But I am completely nourished.”
― The Complete Poetical Works of Amy Lowell
When you came, you were like red wine and honey,
And the taste of you burnt my mouth with its sweetness.
Now you are like morning bread,
Smooth and pleasant.
I hardly taste you at all for I know your savour,
But I am completely nourished.”
― The Complete Poetical Works of Amy Lowell
“Life is a stream
On which we strew
Petal by petal the flower of our heart;
The end lost in dream,
They float past our view,
We only watch their glad, early start.
Freighted with hope,
Crimsoned with joy,
We scatter the leaves of our opening rose;
Their widening scope,
Their distant employ,
We never shall know. And the stream as it flows
Sweeps them away,
Each one is gone
Ever beyond into infinite ways.
We alone stay
While years hurry on,
The flower fared forth, though its fragrance still stays.”
―
On which we strew
Petal by petal the flower of our heart;
The end lost in dream,
They float past our view,
We only watch their glad, early start.
Freighted with hope,
Crimsoned with joy,
We scatter the leaves of our opening rose;
Their widening scope,
Their distant employ,
We never shall know. And the stream as it flows
Sweeps them away,
Each one is gone
Ever beyond into infinite ways.
We alone stay
While years hurry on,
The flower fared forth, though its fragrance still stays.”
―
“All books are either dreams or swords.”
―
―
“Everything mortal has moments immortal”
― A Dome Of Many Colored Glass
― A Dome Of Many Colored Glass
“You are ice and fire,
The touch of you burns my hands like snow.
You are cold and flame.
You are the crimson of amaryllis,
The silver of moon-touched magnolias.
When I am with you,
My heart is a frozen pond
Gleaming with agitated torches.”
―
The touch of you burns my hands like snow.
You are cold and flame.
You are the crimson of amaryllis,
The silver of moon-touched magnolias.
When I am with you,
My heart is a frozen pond
Gleaming with agitated torches.”
―
“My eyes ache with the weight of unshed tears. You are my home, do you not understand?”
― The Complete Poetical Works of Amy Lowell
― The Complete Poetical Works of Amy Lowell
“Underneath my stiffened gown
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
Hand upon her.”
― Selected Poems of Amy Lowell
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
Hand upon her.”
― Selected Poems of Amy Lowell
“You lie upon my heart as on a nest,
Folded in peace, for you can never know
How crushed I am with having you at rest
Heavy upon my life. I love you so
You bind my freedom from its rightful quest.
In mercy lift your drooping wings and go.”
―
Folded in peace, for you can never know
How crushed I am with having you at rest
Heavy upon my life. I love you so
You bind my freedom from its rightful quest.
In mercy lift your drooping wings and go.”
―
“Venus Transiens"
Tell me,
Was Venus more beautiful
Than you are,
When she topped
The crinkled waves,
Drifting shoreward
On her plaited shell?
Was Botticelli’s vision
Fairer than mine;
And were the painted rosebuds
He tossed his lady
Of better worth
Than the words I blow about you
To cover your too great loveliness
As with a gauze
Of misted silver?
For me,
You stand poised
In the blue and buoyant air,
Cinctured by bright winds,
Treading the sunlight.
And the waves which precede you
Ripple and stir
The sands at my feet.
Amy Lowell, Imagist Poetry: An Anthology. Ed. Bob Blaisdell (Dover Publications; Later Printing edition, March 17, 2011)”
―
Tell me,
Was Venus more beautiful
Than you are,
When she topped
The crinkled waves,
Drifting shoreward
On her plaited shell?
Was Botticelli’s vision
Fairer than mine;
And were the painted rosebuds
He tossed his lady
Of better worth
Than the words I blow about you
To cover your too great loveliness
As with a gauze
Of misted silver?
For me,
You stand poised
In the blue and buoyant air,
Cinctured by bright winds,
Treading the sunlight.
And the waves which precede you
Ripple and stir
The sands at my feet.
Amy Lowell, Imagist Poetry: An Anthology. Ed. Bob Blaisdell (Dover Publications; Later Printing edition, March 17, 2011)”
―
“ Vernal Equinox
The scent of hyacinths, like a pale mist, lies
between me and my book;
And the South Wind, washing through the room,
Makes the candles quiver.
My nerves sting at a spatter of rain on the shutter,
And I am uneasy with the thrusting of green shoots
Outside, in the night.
Why are you not here to overpower me with your
tense and urgent love?”
―
The scent of hyacinths, like a pale mist, lies
between me and my book;
And the South Wind, washing through the room,
Makes the candles quiver.
My nerves sting at a spatter of rain on the shutter,
And I am uneasy with the thrusting of green shoots
Outside, in the night.
Why are you not here to overpower me with your
tense and urgent love?”
―
“Don’t ask a writer what he’s working on. It’s like asking someone with cancer on the progress of his disease.”
―
―
“Taking us by and large, we're a queer lot
We women who write poetry. And when you think
How few of us there've been, it's queerer still.
I wonder what it is that makes us do it,
Singles us out to scribble down, man-wise,
The fragments of ourselves. Why are we
Already mother-creatures, double-bearing,
With matrices in body and in brain?
I rather think that there is just the reason
We are so sparse a kind of human being;
The strength of forty thousand Atlases
Is needed for our every-day concerns.
There's Sapho, now I wonder what was Sapho.
I know a single slender thing about her:
That, loving, she was like a burning birch-tree
All tall and glittering fire, and that she wrote
Like the same fire caught up to Heaven and held there,
A frozen blaze before it broke and fell.
Ah, me! I wish I could have talked to Sapho,
Surprised her reticences by flinging mine
Into the wind. This tossing off of garments
Which cloud the soul is none too easy doing
With us to-day. But still I think with Sapho
One might accomplish it, were she in the mood
to bare her loveliness of words and tell
The reasons, as she possibly conceived them
of why they are so lovely. Just to know
How she came at them, just watch
The crisp sea sunshine playing on her hair,
And listen, thinking all the while 'twas she
Who spoke and that we two were sisters
Of a strange, isolated little family.
And she is Sapho -- Sapho -- not Miss or Mrs.,
A leaping fire we call so for convenience....”
―
We women who write poetry. And when you think
How few of us there've been, it's queerer still.
I wonder what it is that makes us do it,
Singles us out to scribble down, man-wise,
The fragments of ourselves. Why are we
Already mother-creatures, double-bearing,
With matrices in body and in brain?
I rather think that there is just the reason
We are so sparse a kind of human being;
The strength of forty thousand Atlases
Is needed for our every-day concerns.
There's Sapho, now I wonder what was Sapho.
I know a single slender thing about her:
That, loving, she was like a burning birch-tree
All tall and glittering fire, and that she wrote
Like the same fire caught up to Heaven and held there,
A frozen blaze before it broke and fell.
Ah, me! I wish I could have talked to Sapho,
Surprised her reticences by flinging mine
Into the wind. This tossing off of garments
Which cloud the soul is none too easy doing
With us to-day. But still I think with Sapho
One might accomplish it, were she in the mood
to bare her loveliness of words and tell
The reasons, as she possibly conceived them
of why they are so lovely. Just to know
How she came at them, just watch
The crisp sea sunshine playing on her hair,
And listen, thinking all the while 'twas she
Who spoke and that we two were sisters
Of a strange, isolated little family.
And she is Sapho -- Sapho -- not Miss or Mrs.,
A leaping fire we call so for convenience....”
―
“The inkstand is full of ink, and the paper lies white and unspotted, in the round of light thrown by a candle. Puffs of darkness sweep into the corners, and keep rolling through the room behind his chair. The air is silver and pearl, for the night is liquid with moonlight.
See how the roof glitters, like ice!
Over there, a slice of yellow cuts into the silver-blue, and beside it stand two geraniums, purple because the light is silver-blue, to-night.”
― Selected Poems of Amy Lowell
See how the roof glitters, like ice!
Over there, a slice of yellow cuts into the silver-blue, and beside it stand two geraniums, purple because the light is silver-blue, to-night.”
― Selected Poems of Amy Lowell
“Even Pain pricks to livelier living.”
―
―
“The Taxi
When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?”
― The Complete Poetical Works of Amy Lowell
When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?”
― The Complete Poetical Works of Amy Lowell
“Christ! What are patterns for?”
― Selected Poems of Amy Lowell
― Selected Poems of Amy Lowell
“Art is the desire of a man to express himself, to record the reactions of his personality to the world he lives in.”
―
―
“Apples of Hesperides
Glinting golden through the trees,
Apples of Hesperides!
Through the moon-pierced warp of night
Shoot pale shafts of yellow light,
Swaying to the kissing breeze
Swings the treasure, golden-gleaming,
Apples of Hesperides!.
Far and lofty yet they glimmer,
Apples of Hesperides!
Blinded by their radiant shimmer,
Pushing forward just for these;
Dew-besprinkled, bramble-marred,
Poor duped mortal, travel-scarred,
Always thinking soon to seize
And possess the golden-glistening
Apples of Hesperides!.
Orbed, and glittering, and pendent,
Apples of Hesperides!
Not one missing, still transcendent,
Clustering like a swarm of bees.
Yielding to no man's desire,
Glowing with a saffron fire,
Splendid, unassailed, the golden
Apples of Hesperides!”
―
Glinting golden through the trees,
Apples of Hesperides!
Through the moon-pierced warp of night
Shoot pale shafts of yellow light,
Swaying to the kissing breeze
Swings the treasure, golden-gleaming,
Apples of Hesperides!.
Far and lofty yet they glimmer,
Apples of Hesperides!
Blinded by their radiant shimmer,
Pushing forward just for these;
Dew-besprinkled, bramble-marred,
Poor duped mortal, travel-scarred,
Always thinking soon to seize
And possess the golden-glistening
Apples of Hesperides!.
Orbed, and glittering, and pendent,
Apples of Hesperides!
Not one missing, still transcendent,
Clustering like a swarm of bees.
Yielding to no man's desire,
Glowing with a saffron fire,
Splendid, unassailed, the golden
Apples of Hesperides!”
―
“MADONNA OF THE EVENING FLOWERS
All day long I have been working
Now I am tired.
I call: “Where are you?”
But there is only the oak tree rustling in the wind.
The house is very quiet,
The sun shines in on your books,
On your scissors and thimble just put down,
But you are not there.
Suddenly I am lonely:
Where are you?
I go about searching.
Then I see you,
Standing under a spire of pale blue larkspur,
With a basket of roses on your arm.
You are cool, like silver,
And you smile.
I think the Canterbury bells are playing little tunes,
You tell me that the peonies need spraying,
That the columbines have overrun all bounds,
That the pyrus japonica should be cut back and rounded.
You tell me these things.
But I look at you, heart of silver,
White heart-flame of polished silver,
Burning beneath the blue steeples of the larkspur,
And I long to kneel instantly at your feet,
While all about us peal the loud, sweet Te Deums of the Canterbury bells”
―
All day long I have been working
Now I am tired.
I call: “Where are you?”
But there is only the oak tree rustling in the wind.
The house is very quiet,
The sun shines in on your books,
On your scissors and thimble just put down,
But you are not there.
Suddenly I am lonely:
Where are you?
I go about searching.
Then I see you,
Standing under a spire of pale blue larkspur,
With a basket of roses on your arm.
You are cool, like silver,
And you smile.
I think the Canterbury bells are playing little tunes,
You tell me that the peonies need spraying,
That the columbines have overrun all bounds,
That the pyrus japonica should be cut back and rounded.
You tell me these things.
But I look at you, heart of silver,
White heart-flame of polished silver,
Burning beneath the blue steeples of the larkspur,
And I long to kneel instantly at your feet,
While all about us peal the loud, sweet Te Deums of the Canterbury bells”
―
“Witch-heart, are you gold or black?”
―
―
“Bath"
The day is fresh-washed and fair, and there is a smell of tulips and narcissus in the air.
The sunshine pours in at the bath-room window and bores through the water in the bath-tub in lathes and planes of greenish-white. It cleaves the water into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of the water and dance, dance, and their reflections wobble deliciously over the ceiling; a stir of my finger sets them whirring, reeling. I move a foot and the planes of light in the water jar. I lie back and laugh, and let the green-white water, the sun-flawed beryl water, flow over me. The day is almost too bright to bear, the green water covers me from the too bright day. I will lie here awhile and play with the water and the sun spots. The sky is blue and high. A crow flaps by the window, and there is a whiff of tulips and narcissus in the air.”
― The Complete Poetical Works of Amy Lowell
The day is fresh-washed and fair, and there is a smell of tulips and narcissus in the air.
The sunshine pours in at the bath-room window and bores through the water in the bath-tub in lathes and planes of greenish-white. It cleaves the water into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of the water and dance, dance, and their reflections wobble deliciously over the ceiling; a stir of my finger sets them whirring, reeling. I move a foot and the planes of light in the water jar. I lie back and laugh, and let the green-white water, the sun-flawed beryl water, flow over me. The day is almost too bright to bear, the green water covers me from the too bright day. I will lie here awhile and play with the water and the sun spots. The sky is blue and high. A crow flaps by the window, and there is a whiff of tulips and narcissus in the air.”
― The Complete Poetical Works of Amy Lowell
“For I have time for nothing
But the endeavour to balance myself
Upon a broken world.”
― The Complete Poetical Works of Amy Lowell
But the endeavour to balance myself
Upon a broken world.”
― The Complete Poetical Works of Amy Lowell
“Nuit Blanche"
A music coaxed from humming strings would please;
Not plucked, but drawn in creeping cadences
Across a sunset wall where some Marquise
Picks a pale rose amid strange silences.
Ghostly and vaporous her gown sweeps by
The twilight dusking wall, I hear her feet
Delaying on the gravel, and a sigh,
Briefly permitted, touches the air like sleet
And it is dark, I hear her feet no more.
A red moon leers beyond the lily-tank.
A drunken moon ogling a sycamore,
Running long fingers down its shining flank.
A lurching moon, as nimble as a clown,
Cuddling the flowers and trees which burn like glass.
Red, kissing lips, I feel you on my gown—
Kiss me, red lips, and then pass—pass.
Music, you are pitiless to-night.
And I so old, so cold, so languorously white.”
― The Complete Poetical Works of Amy Lowell
A music coaxed from humming strings would please;
Not plucked, but drawn in creeping cadences
Across a sunset wall where some Marquise
Picks a pale rose amid strange silences.
Ghostly and vaporous her gown sweeps by
The twilight dusking wall, I hear her feet
Delaying on the gravel, and a sigh,
Briefly permitted, touches the air like sleet
And it is dark, I hear her feet no more.
A red moon leers beyond the lily-tank.
A drunken moon ogling a sycamore,
Running long fingers down its shining flank.
A lurching moon, as nimble as a clown,
Cuddling the flowers and trees which burn like glass.
Red, kissing lips, I feel you on my gown—
Kiss me, red lips, and then pass—pass.
Music, you are pitiless to-night.
And I so old, so cold, so languorously white.”
― The Complete Poetical Works of Amy Lowell
“The stigma of oddness is the price a myopic world always exacts of genius.”
― The Poetry of Amy Lowell
― The Poetry of Amy Lowell
