Victor Sebestyen > Quotes

“Lenin thought himself an idealist. He was not a monster, a sadist or vicious. In personal relationships he was invariably kind and behaved in the way he was brought up, like an upper-middle-class gentleman. He was not vain. He could laugh – even, occasionally, at himself. He was not cruel: unlike Stalin, Mao Zedong or Hitler he never asked about the details of his victims’ deaths, savouring the moment. To him, in any case, the deaths were theoretical, mere numbers. He never donned uniforms or military-style tunics as other dictators favoured. But during his years of feuding with other revolutionaries, and then maintaining his grip on power, he never showed generosity to a defeated opponent or performed a humanitarian act unless it was politically expedient.”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“Within two years of Lenin’s edict more than thirty bishops and 1,200 priests had been killed and thousands more jailed.”
― Victor Sebestyen, Lenin the Dictator

“In his quest for power, he promised people anything and everything. He offered simple solutions to complex problems. He lied unashamedly. He identified a scapegoat he could later label ‘enemies of the people’. He justified himself on the basis that winning meant everything: the ends justified the means. Anyone who has lived through recent elections in the supposedly sophisticated political cultures of the West might recognise him. Lenin was the godfather of what commentators a century after his time call ‘post-truth politics’.”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“The revolutionary is a dedicated man. He has no personal interests, no private affairs, no emotions, no attachments, no property and no name. Everything in him is subordinated towards a single thought, a single passion: the Revolution.’ Sergei Nechayev, The Revolutionary Catechism, 1869”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“Lenin is one of those people who possess a quite exceptional strength of character . . . he is a man of many gifts and he has all the qualities of a “leader” – especially the complete lack of morality essential for such a role, and the aristocrat’s contempt for the masses. Life in all its complexity is unknown to Lenin. He does not know the masses. He has never lived among them, but he found out from books how to raise the masses onto their hind legs, how to enrage their instincts easily. To Lenin, the working class is like iron ore to a metalworker. Is it possible, given present circumstances, to cast a socialist state out of this ore? Evidently not. But why not try? What does Lenin risk if his experiment fails? . . . I am mistrustful of Russians in power – recently slaves themselves, they will become unbridled despots as soon as they have the chance to be their neighbours’ masters.”
― Victor Sebestyen, Lenin the Dictator

“There are plenty of Marxist-Leninist textbooks about taking power; but there are none about giving it up.”
― Victor Sebestyen, Revolution 1989: The Fall of the Soviet Empire

“For me theory is only a hypothesis, not the Holy Scripture. It is a tool in our daily work,”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“In England and France, they executed their kings some centuries ago, but we were late with ours.”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly found, and given and transmitted from the past. The tradition of all the dead generations weighs like a nightmare on the living.’ Karl Marx, The Eighteenth Brumaire of Louis Bonaparte, 1852”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“But darling Sasha, why resort to terrorism, murder? How awful.’ He replied, ‘What can one do, Mother, when there are no other means available?”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“Up to the abdication of the last Tsar one of the principal articles in the Fundamental Laws stated, simply, ‘His Majesty is an absolute monarch who is not obliged to answer for his actions to anyone in the world but has the power and the authority to govern his states and lands as a Christian sovereign, in accord with his desire and goodwill.”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“Poppe, once a leading figure at a scientific research institute, found a job as a swimming pool attendant”
― Victor Sebestyen, Revolution 1989: The Fall of the Soviet Empire

“یکی از دبیران حزب به دیدار مناطق روستایی مجارستان می‌رود. سر صحبت را با کشاورز پیری باز می‌کند و می‌پرسد: «بگو ببینم، چه‌کسی این جهان را خلق کرده است؟» کشاورز می‌داند که این پرسش فقط یک پاسخ دارد، اما این را هم می‌داند که آن پاسخ غلط است. در نتیجه، پیش از پاسخ درنگی می‌کند و عضو عالی‌مقام حزب خشمگنانه به او خیره می‌شود. کشاورز سراسیمه می‌گوید: صبر کنید، رفیق. الان می‌گویم. خدا جهان را خلق کرده، البته با کمک کارشناسان شوروی”
― Victor Sebestyen, Twelve Days: The Story of the 1956 Hungarian Revolution

“We Russians are slaves because we are unable to free ourselves and become citizens rather than subjects.’ Alexander Herzen, (1812–1870)”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“Terror is the only form of defence, the only road individuals can take when their discontent becomes extreme,’ he said. ‘We…[students] are encouraged to develop our intellectual powers, but are not allowed to use them for the benefit of our country. Among the Russian people you can always find a dozen men or so who are so utterly devoted to their ideas and take the misfortunes of their country so much to heart that they do not consider it a sacrifice to die for their cause. There is nothing that can frighten or intimidate such people.’ Sentence”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“جایی که سخن از دربار استالین در میان باشد، دسته‌بندی افراد به دو گروه تندرو و میانه‌رو اساساً کاری گمراه‌کننده است. دست یک‌یک اعضای حلقه‌ی نزدیکان وی به جنایاتی نفرت‌انگیز آلوده بود”
― Victor Sebestyen, Twelve Days: The Story of the 1956 Hungarian Revolution

“Janet Flanner made an interesting observation midway through the year [1947]: in Paris, stores frequented by women, the biggest selling goods were, unsurprisingly, ... But the second item they were ordering was prams, a biological vote of confidence in the future.”
― Victor Sebestyen, 1946: The Making of the Modern World

“It's begun,' Lenin replied. 'I'm dizzy. From being on the run to supreme power--that's too much---and according to Trotsky made the sign of the Cross.”
― Victor Sebestyen, Lenin the Dictator

“The bourgeois…they will always be traitors and cowards,”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“The public Lenin adopted a highly populist style of politics that would be recognisable – and imitated by many a rabble-rouser – a hundred years later, even in long-established, sophisticated democracies. He offered simple solutions to complex problems. He lied unashamedly.”
― Victor Sebestyen, Lenin the Dictator

“Overnight the Revolution had brought political freedoms never before known in Russia – and hardly ever since.”
― Victor Sebestyen, Lenin the Dictator

“If one cannot work for the Party any longer one must be able to look the truth in the face and die...”
― Victor Sebestyen, Lenin: The Man, the Dictator, and the Master of Terror

“In the early Soviet years, before ‘socialist realism’ became the prescribed genre in literature, painting, film and even music, the first big new thing in the arts under Communism was ‘Prolekult’, proletarian culture. The idea was that art would reflect the experience of people in the workplace, and many artists went to factories to produce work collectively in teams rather than individually. ‘The “I” of bourgeois culture would yield to the “we” of the new world,’ as Lunacharsky said. Large amounts of money were spent on projects like building an orchestra from the sound of clanking factory machinery, and replacing old paintings in museums with often abstract new pieces produced in working conditions by a team of labourers and artists together. This was the first ‘cultural revolution’ under Communism, which aimed to destroy everything old and start anew.”
― Victor Sebestyen, Lenin the Dictator

“Overnight the Revolution had brought political freedoms never before known in Russia – and hardly ever since. People could say, write and read what they wanted, something they could not do a year later – nor their great-grandchildren a hundred years later.”
― Victor Sebestyen, Lenin the Dictator