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“Vaguely conscious of that great suspense in which we live, we find our escape from its sterile, annihilating reality in many dreams, in religion, passion, art.”
Arthur Symons, The Symbolist Movement in Literature
“As a perfume doth remain
In the folds where it hath lain,
So the thought of you, remaining
Deeply folded in my brain,
Will not leave me; all things leave me -
You remain.

Other thoughts may come and go,
Other moments I may know
That shall waft me, in their going,
As a breath blown to and fro,
Fragrant memories; fragrant memories
Come and go.

Only thoughts of you remain
In my heart where they have lain,
Perfumed thoughts of you, remaining,
A hid sweetness, in my brain.
Others leave me; all things leave me -
You remain.”
Arthur Symons
“Wandering, ever wandering,
Because life holds not anything so good
As to be free of yesterday, and bound
Towards a new to-morrow ; and they wend
Into a world of unknown faces, where
It may be there are faces waiting them,
Faces of friendly strangers, not the long
Intolerable monotony of friends.

The joy of earth is yours, O wanderers,
The only joy of the old earth, to wake,
As each new dawn is patiently renewed,
With foreheads fresh against a fresh young sky.
To be a little further on the road,
A little nearer somewhere, some few steps
Advanced into the future, and removed
By some few counted milestones from the past;
God gives you this good gift, the only gift
That God, being repentant, has to give.

Wanderers, you have the sunrise and the stars;
And we, beneath our comfortable roofs,
Lamplight, and daily fire upon the hearth,
And four walls of a prison, and sure food.
But God has given you freedom, wanderers.”
Arthur Symons
“I would wash the dust of the world in a soft green flood. Here between sea and sea in a fairy wood, I have found a delicate wave-green solitude.”
Arthur Symons
“I had had my dreams of Venice. But nothing that I had dreamed was as impossible as what I found.”
Arthur Symons, Cities
“He [Huysmans] has realised the great choice between the world and something which is not the visible world, but out of which the visible world has been made, does not lie in the mere contrast of the subtler and grosser senses. He has come to realise what the choice really is, and he has chosen. Yet the choice is not quite so narrow as Barbey D'Aurevilly thought perhaps it is a choice between actualising this dream or actualising that dream. In his escape from the world, one man chooses religion, and seems to find himself; another choosing love may seem also to find himself; and may not another, coming to art as to a religion (and as to a woman, seem to find himself not less effectively ?). The one certainty is that society is the enemy of man, and that formal art is the enemy of the artist. We shall not find ourselves in drawing-rooms or in museums. A man who goes through a day without some fine emotion has wasted his day, whatever he has gained by it. And it is so easy to go through day after day, busily and agreeably, without ever really living for a single instant. Art begins when a man wishes to immortalise the most vivid moment he has ever lived. Life has already, to one not an artist, become art in that moment. And the making of one's life into art is after all the first duty and privilege of everyman. It is to escape from material reality into whatever form of ecstasy is our own form of spiritual existence.”
Arthur Symons
“Before the thought of Cleopatra every man is an Antony.”
Arthur Symons
“Love I never associated with the senses, it was not even passion that I wanted; it was a conscious, subtle, elaborate sensuality, which I knew not how to procure.”
Arthur Symons, Spiritual Adventures

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