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“It's taken me a while to work around to the point, I realize, but I think the groundwork in terms how to see the story in the context of the fictional universe—from the inside, as it were—is important to being able to fully grasp the concept.”
― Pulp on Pulp: Tips and Tricks for Writing Pulp Fiction
― Pulp on Pulp: Tips and Tricks for Writing Pulp Fiction
“Everything that is said in a story should be directly driven by either what the Listener needs to hear or what the Storyteller needs to say.”
― Pulp on Pulp: Tips and Tricks for Writing Pulp Fiction
― Pulp on Pulp: Tips and Tricks for Writing Pulp Fiction
“East Texas writer, Joe R. Lansdale, primarily known for his long running crime series starring Hap and Leonard, is no stranger to the world of pulps. Lansdale is one of those phenomenal writers who can work in almost any genre and weave an entertaining yarn. His pulpier works include the classic Dead in the West, By Bizarre Hands and (one of my favorites) Dead On The Bones: Pulp On Fire.”
― Pulp on Pulp: Tips and Tricks for Writing Pulp Fiction
― Pulp on Pulp: Tips and Tricks for Writing Pulp Fiction
“M. John Harrison’s The Pastel City is much shorter, at a little over 100 pages. This story is structured around three major journey segments. There is enough plot here for a novel ten”
― Pulp on Pulp: Tips and Tricks for Writing Pulp Fiction
― Pulp on Pulp: Tips and Tricks for Writing Pulp Fiction



