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“Take heed, you who read this,
& drop to your knees now & again
like the poet Christopher Smart,
& kiss the earth & be joyful,
& make much of your time,
& be kindly to everyone,
even to those who do not deserve it.
For although you may not believe
it will happen,
you too will one day be gone,
I, whose Levi's ripped at the crotch
for no reason,
assure you that such is the case.
Pass it on.”
―
& drop to your knees now & again
like the poet Christopher Smart,
& kiss the earth & be joyful,
& make much of your time,
& be kindly to everyone,
even to those who do not deserve it.
For although you may not believe
it will happen,
you too will one day be gone,
I, whose Levi's ripped at the crotch
for no reason,
assure you that such is the case.
Pass it on.”
―
“What chord did she pluck in my soul
that girl with the golden necklace
& ivory breasts
whose body ignited the river:
she who rose like the moon
from her bathing &
brushed back the ebony hair
that fell to her waist
& walked off
into the twilight dark—
O my soul,
what chord did she pluck
that I am still trembling.”
―
that girl with the golden necklace
& ivory breasts
whose body ignited the river:
she who rose like the moon
from her bathing &
brushed back the ebony hair
that fell to her waist
& walked off
into the twilight dark—
O my soul,
what chord did she pluck
that I am still trembling.”
―
“Concrete, sensory details such as these allow readers to form vivid pictures in their minds of what is being described. That is how writers bring a scene to life.”
― In the Palm of Your Hand: A Poet's Portable Workshop
― In the Palm of Your Hand: A Poet's Portable Workshop
