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“THE barometer of his emotional nature was set for a spell of riot.”
― Charles R. Jackson, The Lost Weekend
“All the woeful errors of childhood and adolescence came to their crashing climax at seventeen. They gathered themselves for a real workout in the passionate hero-worship of an upperclassman during his very first month at college, a worship that led, like a fatal infatuation, to scandal and public disgrace, because no one had understood or got the story straight and no one had wanted to understand, least of all the upperclassman who emerged somehow as a hero, now, to the others—why, he would never know. . . . He had survived (didn’t one always?).”
― Charles R. Jackson, The Lost Weekend
“LIKE a fish of the deep rising to the surface of bright air and sun, he swam up to consciousness out of a dead blank into a whiter world than he had ever seen.”
― Charles R. Jackson, The Lost Weekend
“Here at this desk, this night, one of life’s important moments had occurred. Humbly, almost unaware, certainly innocent, he had sat there and been the instrument by which a poem was transmitted to paper. He was awed and truly humble, for all that he must look in the mirror to see if the experience registered in his face. Often tears came genuinely to his eyes. How had it come about—why should it have been he? he asked himself in humility and gratitude. He read the poem in fear and read it again. Now it was fine; would it be so tomorrow?”
― Charles R. Jackson, The Lost Weekend
“Why were drunks, almost always, persons of talent, personality, lovable qualities, gifts, brains, assets of all kinds (else why would anyone care?); why were so many brilliant men alcoholic?—And from there, the next one was: Why did you drink? Like the others, the question was rhetorical, abstract, anything but pragmatic; as vain to ask as his own clever question had been vain. It was far too late to pose such a problem with any reasonable hope for an answer—or, an answer forthcoming, any reasonable hope that it would be worth listening to or prove anything at all. It had long since ceased to matter Why. You were a drunk; that’s all there was to it. You drank; period. And once you took a drink, once you got under way, what difference did it make Why? There were so many dozen reasons that didn’t count at all; none that did. Maybe you drank because you were unhappy, or too happy; or too hot, or too cold; or you didn’t like the Partisan Review, or you loved the Partisan Review. It was as groundless as that. To hell with the causes—absent father, fraternity shock, too much mother, too much money, or the dozen other reasons you fell back on to justify yourself. They counted for nothing in the face of the one fact: you drank and it was killing you. Why? Because alcohol was something you couldn’t handle, it had you licked. Why? Because you had reached the point where one drink was too many and a hundred not enough.”
― Charles R. Jackson, The Lost Weekend
“an untimely extension of the interminable slow pain of growing up, retarded,”
― Charles R. Jackson, The Lost Weekend

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