John Logan > Quotes

“ROTHKO: (Explodes) 'Pretty.' 'Beautiful.' 'Nice.' 'Fine.' That's our life now! Everything's 'fine'. We put on the funny nose and glasses and slip on the banana peel and the TV makes everything happy and everyone's laughing all the time, it's all so goddamn funny, it's our constitutional right to be amused all the time, isn't it? We're a smirking nation, living under the tyranny of 'fine.' How are you? Fine.. How was your day? Fine. How are you feeling? Fine. How did you like the painting? Fine. What some dinner? Fine... Well, let me tell you, everything is not fine!!
HOW ARE YOU?!... HOW WAS YOUR DAY?!... HOW ARE YOU FEELING? Conflicted. Nuanced. Troubled. Diseased. Doomed. I am not fine. We are not fine. We are anything but fine... Look at these pictures. Look at them! You see the dark rectangle, like a doorway, an aperture, yes but it’s also a gaping mouth letting out a silent howl of something feral and foul and primal and REAL. Not nice. Not fine. Real. A moan of rapture. Something divine or damned. Something immortal, not comic books or soup cans, something beyond me and beyond now. And whatever it is, it’s not pretty and it’s not fine...I AM HERE TO STOP YOUR HEART‬”
― John Logan, Red

“Children don't have hearts yet, not really. They haven't been hurt into the need for one.”
― John Logan, Peter and Alice

“When I look at my own children, Mrs Hargreaves, I think… I think I know what childhood’s for. It’s to give us a bank of happy memories against future suffering. So when sadness comes, at least you can remember what it was to be happy.”
― John Logan, Peter and Alice

“You have a lot to learn, young man. Philosophy. Theology. Literature. Poetry. Drama. History. Archeology. Anthropology. Mythology. Music. These are your tools as much as brush and pigment. You cannot be an artist until you are civilized. You cannot be civilized until you learn. To be civilized is to know where you belong in the continuum of our art and your world. To surmount the past, you must know the past.”
― John Logan

“When I was your age, art was a lonely thing: no galleries, no collecting, no critics, no money. We didn't have mentors. We didn't have parents. We were alone. But it was a great time, because we had nothing to lose and a vision to gain.”
― John Logan, Red

“In the place called Adulthood there are no Cheshire Cats... for they can't endure the suffering of the place.”
― John Logan, Peter and Alice

“Everything worthwhile ends. We are in the perpetual process now: creation, maturation, cessation.”
― John Logan, Red

“And if I sit in that room at the top of the house and I think about my life and if I shut my eyes from time to time and imagine being warm in the summer and I hear the bees buzzing and for a moment I truly am Alice in Wonderland, do you have the heart to tell me I am not?”
― John Logan, Peter and Alice

“But how can you be Peter Pan? You? The Boy Who Never Grew Up? That's not you. You have egg on your collar. You can't fly. You're not Alice. Alice was a blond little girl, I know it. You're lying to me.' And then they remember. What growing up really is: when they learned that boys can't fly and mermaids don't exist and White Rabbits don't talk and all boys grow old, even Peter Pan, as you've grown old. They've been deceived. As if you've somehow been lying to them. So following hard on the smile of remembrance is the pain in the eyes, which you've caused, everytime you meet someone.”
― John Logan, Peter and Alice

“We can’t live in a fantasy. Reality may be hard, but it’s all we have.”
― John Logan, Peter and Alice

“PETER: But you're 'Alice'.
ALICE: As you're 'Peter'... But after all, what's in a name?
PETER: What isn't?

She understands.”
― John Logan, Peter and Alice

“Everyone likes everything nowadays. They like the television and the phonograph and the shampoo and the soda pop and the Cracker Jack. Everything becomes everything else and it's all nice and pretty and LIKABLE. Everything is fun in the sun! Where's the discernment? Where's the arbitration that separates what I LIKE from what I RESPECT, what I deem WORTHY, what has... listen to me now... SIGNIFICANCE.”
― John Logan, Red

“‪I do get depressed when I think how people are going to see my pictures. If they’re going to be unkind... Selling a picture is like sending a blind child into a room full of razor blades. It’s going to get hurt and it’s never been hurt before, it doesn’t know what hurt is.‬”
― John Logan, Red

“But a generation that does not aspire to seriousness, to meaning, is unworthy to walk in the shadow of those who have gone before, I mean those who have struggled and surmounted, I mean those who have aspired, I mean Rembrandt, I mean Turner, I mean Michelangelo and Matisse … I mean obviously Rothko.”
― John Logan, Red

“Only the dreamer can change the dream...”
― John Logan

“There is only one thing I fear in life, my friend... One day the black will swallow the red.”
― John Logan, Red

“Reality may be hard, but it's all we have.”
― John Logan

“ You would have loved Jackson. He was a downtown guy, a real Bohemian. No banker’s hours for him, believe you me. Every night the drinking and the talking and the fighting and the dancing and the staying up late; like everyone’s romantic idea of what an artist ought to be: the anti-Rothko... At his worst you still loved him though; you loved him because he loved art so much... He thought it mattered. He thought painting mattered... Does not the poignancy stop your heart?... How could this story not end in tragedy?

 Goya said, 'We have Art that we may not perish from Truth.'... Pollock saw some truth. Then he didn’t have art to protect him any more... Who could survive that?

 I was walking up to my house last week and this couple was passing. Lady looks in the window, says: 'I wonder who owns all the Rothkos.'... Just like that I’m a noun. A Rothko.”
― John Logan, Red

“You want to be a thing? Make yourself that thing.”
― John Logan, I'll Eat You Last: A Chat with Sue Mengers

“Of course you like it – how can you not like it?! Everyone likes everything nowadays. They like the television and the phonograph and the soda pop and the shampoo and the Cracker Jack. Everything becomes everything else and it’s all nice and pretty and likable. Everything is fun in the sun! Where’s the discernment? Where’s the arbitration that separates what I like from what I respect, what I deem worthy, what has…listen to me now…significance.     ”
― John Logan, Red

“ROTHKO: All those bugs – ach! I know, those plein air painters, they sing to you endless paeans about the majesty of natural sunlight. Get out there and muck around in the grass, they tell you, like a cow. When I was young I didn’t know any better so I would haul my supplies out there and the wind would blow the paper and the easel would fall over and the ants would get in the paint. Oy… But then I go to Rome for the first time. I go to the Santa Maria del Popolo to see Caravaggio’s ‘Conversion of Saul,’ which turns out is tucked away in a dark corner of this dark church with no natural light. It’s like a cave. But the painting glowed! With a sort of rapture it glowed. Consider: Caravaggio was commissioned to paint the picture for this specific place, he had no choice. He stands there and he looks around. It’s like under the ocean it’s so goddamn dark. How’s he going to paint here? He turns to his creator: ‘God, help me, unworthy sinner that I am. Tell me, O Lord on High, what the fuck do I do now?!’     KEN laughs. ROTHKO: Then it comes to him: the divine spark. He illuminates the picture from within! He gives it inner luminosity. It lives… Like one of those bioluminescent fish from the bottom of the ocean, radiating its own effulgence. You understand? Caravaggio was –”
― John Logan, Red

“I would rather die on my feet than spend a lifetime on my knees”
― John Logan

“You have no idea what I had to go through to get to where I am now...So I can look at you and feel nothing.”
― John Logan

“CARROLL: In the place called Adulthood, there's precious few golden afternoons. They've gone away to make way for other things like business and housekeeping and wanting everyone to be the same, just like you, all the lives lived in neat hedgerows, all excess banished, all joyous peculiarities excised. It's grim and shabby. There are no Mad Hatters and there are no Cheshire Cats, for they can't endure the suffering of the place.
ALICE: Please stop...
CARROLL: That's the place called Adulthood... I'm there now. You'll be there soon enough. And you'll never leave... But here and now, in this room, and on this glass plate, and in the story I'm writing, you'll never be there... And you'll never be hurt. And you'll never be heart-sick. And you'll never be alone.... You will be beloved.”
― John Logan, Peter and Alice

“ROTHKO: So, now, what do you see? – Be specific. No, be exact. Be exact – but sensitive. You understand? Be kind. Be a human being, that’s all I can say. Be a human being for once in your life! These pictures deserve compassion and they live or die in the eye of the sensitive viewer, they quicken only if the empathetic viewer will let them. That is what they cry out for. That is why they where created. That is what they deserve… Now… What do you see?     Beat. KEN: Red. ROTHKO: But do you like it? KEN: Mm. ROTHKO: Speak up. KEN: Yes. ROTHKO: Of course you like it – how can you not like it?! Everyone likes everything nowadays. They like the television and the phonograph and the soda pop and the shampoo and the Cracker Jack. Everything becomes everything else and it’s all nice and pretty and likable. Everything is fun in the sun! Where’s the discernment? Where’s the arbitration that separates what I like from what I respect, what I deem worthy, what has…listen to me now…significance.”
― John Logan, Red

“Was it the day you realized your parents aren’t perfect? When you got your first
long trousers? Going to school? Saying hello? Saying goodbye? Your heart opens? It
breaks? It heals? It breaks again? Which is it?”
― John Logan, Peter and Alice

“Of that duality that makes us who we are, he is wholly evil.
Duality?
We are all two things in a way, are we not? Deep in the marrow. Angel and devil. Light and dark. The pull between the two is the active verb which energizes our lives.”
― John Logan