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“We were ready to rock out and we waited and waited and finally it was our turn ... there were a half million people asleep. These people were out. It was sort of like a painting of a Dante scene, just bodies from hell, all intertwined and asleep, covered with mud. And this is the moment I will never forget as long as I live: A quarter mile away in the darkness, on the other edge of this bowl, there was some guy flicking his Bic, and in the night I hear, "Don't worry about it, John. We're with you." I played the rest of the show for that guy.
—John Fogerty recalling Creedence Clearwater Revival's 3:30 a.m. start time at Woodstock.”
― Bad Moon Rising: The Unofficial History of Creedence Clearwater Revival
—John Fogerty recalling Creedence Clearwater Revival's 3:30 a.m. start time at Woodstock.”
― Bad Moon Rising: The Unofficial History of Creedence Clearwater Revival
“In one of the most scathing of these reviews, New York Times critic Robert Palmer wrote: “He has mastered the art of making lyrics that are banal—and, when they are about women, frequently condescending—sound vaguely important. He has mastered the art of making the simplest drum accent sound as portentous as a peal of thunder and of introducing his side-men’s solos with such dramatic flourishes that they almost sound like gifted, sensitive musicians rather than like the hacks they are. He has won a huge following by making emptiness seem substantial and Holiday Inn lounge schlock sound special.”
― Billy Joel: The Life and Times of an Angry Young Man Revised and Updated
― Billy Joel: The Life and Times of an Angry Young Man Revised and Updated




