Mervyn Peake > Quotes

“And now, my poor old woman, why are you crying so bitterly? It is autumn. The leaves are falling from the trees like burning tears- the wind howls. Why must you mimic them?”
― Mervyn Peake, Titus Groan

“Lingering is so very lonely when one lingers all alone.”
― Mervyn Peake, Titus Groan

“We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect.”
― Mervyn Peake, Titus Groan

“This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.”
― Mervyn Peake, Titus Groan

“To live at all is miracle enough.”
― Mervyn Peake, Collected Poems

“There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame.

The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love.

The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love.

The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.”
― Mervyn Peake, Titus Groan

“I am the wilderness lost in man.”
― Mervyn Peake

“Why break the heart that never beat from love?”
― Mervyn Peake, Titus Groan

“I am clever enough to know that I am clever.”
― Mervyn Peake, Titus Groan

“I, while the gods laugh, the world's vortex am;
Maelström of passions in that hidden sea
Whose waves of all-time lap the coasts of me;
And in small compass the dark waters cram.

- I, While the Gods Laugh, the World's Vortex Am”
― Mervyn Peake, Collected Poems

“Oh how I hate people!”
― Mervyn Peake, Titus Groan

“In the presence of real tragedy you feel neither pain nor joy nor hatred, only a sense of enormous space and time suspended, the great doors open to black eternity, the rising across the terrible field of that last enormous, unanswerable question.”
― Mervyn Peake, Titus Groan

“For death is life. It is only living that is lifeless.”
― Mervyn Peake, Titus Groan

“Each day I live in a glass room unless I break it with the thrusting of my senses and pass through the splintered walls to the great landscape.”
― Mervyn Peake

“He saw in happiness the seeds of independence, and in independence the seeds of revolt.”
― Mervyn Peake, Titus Groan

“Life is too fleet for onomatopoeia.”
― Mervyn Peake, Titus Groan

“As I see it, life is an effort to grip before they slip through one's fingers and slide into oblivion, the startling, the ghastly or the blindingly exquisite fish of the imagination before they whip away on the endless current and are lost for ever in oblivion's black ocean.”
― Mervyn Peake

“Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.”
― Mervyn Peake, Titus Groan

“Something to remember, that: cats for missiles.”
― Mervyn Peake, Titus Groan

“If ever he had harboured a conscience in his tough narrow breast he had by now dug out and flung away the awkward thing - flung it so far away that were he ever to need it again he could never find it. High-shouldered to a degree little short of malformation, slender and adroit of limb and frame, his eyes close-set and the colour of dried blood, he is climbing the spiral staircase of the soul of Gormenghast, bound for some pinnacle of the itching fancy - some wild, invulnerable eyrie best known to himself; where he can watch the world spread out below him, and shake exultantly his clotted wings”
― Mervyn Peake, The Gormenghast Novels

“His was not the hatred that arises suddenly like a storm and as suddenly abates. It was, once the initial shock of anger and pain was over, a calculated thing that grew in a bloodless way.”
― Mervyn Peake, Titus Groan

“Linger now with me, thou Beauty,
On the sharp archaic shore.
Surely 'tis a wastrel's duty
And the gods could ask no more.
If thou lingerest when I linger,
If thou tread'st the stones I tread,
Thou wilt stay my spirit's hunger
And dispel the dreams I dread.

Come thou, love, my own, my only,
Through the battlements of Groan;
Lingering becomes so lonely
When one lingers on one's own.

I have lingered in the cloisters
Of the Northern Wing at night,
As the sky unclasped its oysters
On the midnight pearls of light;
For the long remorseless shadows
Chilled me with exquisite fear.
I have lingered in cold meadows
Through a month of rain, my dear.

Come, my Love, my sweet, my Only,
Through the parapets of Groan.
Lingering can be very lonely
When one lingers on one's own.

In dark alcoves I have lingered
Conscious of dead dynasties;
I have lingered in blue cellars
And in hollow trunks of trees.
Many a traveler through moonlight
Passing by a winding stair
Or a cold and crumbling archway
Has been shocked to see me there.

I have longed for thee, my Only,
Hark! the footsteps of the Groan!
Lingering is so very lonely
When one lingers all alone.

Will thou come with me, and linger?
And discourse with me of those
Secret things the mystic finger
Points to, but will not disclose?
When I'm all alone, my glory
Always fades, because I find
Being lonely drives the splendour
Of my vision from my mind.

Come, oh, come, my own! my Only!
Through the Gormenghast of Groan.
Lingering has become so lonely
As I linger all alone!”
― Mervyn Peake, Titus Groan

“Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.”
― Mervyn Peake, Titus Groan

“There are times when the air that floats between mortals becomes, in its stillness and silence, as cruel as the edge of a scythe.”
― Mervyn Peake, The Gormenghast Novels

“It was not certain what significance the ceremony held... but the formality was no less sacred for it being unintelligible”
― Mervyn Peake, Titus Groan

“I sometimes think about old tombs and weeds
That interwreathe among the bones of kings
With cold and poisonous berry and black flower:
Or ruminate upon the skulls of steeds
Frailer than shells and on those luminous wings -
The shoulder blades of Princes of fled power,
Which now the unrecorded sandstorms grind
Into so wraith-like a translucency
Of tissue-thin and aqueous bone

- A Reverie of Bone”
― Mervyn Peake, Shapes and sounds

“He is climbing the spiral staircase of the soul of Gormenghast, bound for some pinnacle of the itching fancy - some wild, invulnerable eyrie best known to himself; where he can watch the world spread out below him, and shake exultantly his clotted wings.”
― Mervyn Peake, Gormenghast

“Cold love’s the loveliest love of all. So clear, so crisp, so empty. In short, so civilized.”
― Mervyn Peake, The Gormenghast Novels

“I am too rich already, for my eyes mint gold.

- Coloured Money”
― Mervyn Peake, Collected Poems

“The moon slid inexorably into its zenith, the shadows shrivelling to the feet of all that cast them, and as Rantel approached the hollow at the hem of the Twisted Woods he was treading in a pool of his own midnight.”
― Mervyn Peake, Titus Groan